Reed Krakoff set a new benchmark in American elegance with his Autumn/Winter collection - the first since reclaiming control of his eponymous label from Coach. The designer celebrated a fresh independence with a stunning sequence of luxurious pieces, such as pony hair and viscose dresses, python wrap skirts and intricate gold collage dresses, which delicately moved with every turn. Krakoff's graphic eye was demonstrated by his use of contrasting colour, either as solid waistbands, pencil-thin black stripes that traced one side of the garment or triangular panels interjected in the more textured pieces. The silhouettes had a relaxed, easy feel, with wrap skirts nonchalantly slung around waists with loose sashes, or thin black cords. Even outerwear, which took on a predominantly elongated shape, were loose and hung off the shoulders just so. Of course, Krakoff being Krakoff, the accessories were no slouch. The designer not only seduced us with his 'Krush' bag - a ladylike pochette handbag that oozed cool with its utilitarian strap - but also with strappy closed-back sandals, Oxford boots and statement cuffs and rings to boot. Clean, yet glamorous, each look had us wanting more.
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‘Dressed to Impress’ captures the vivid world of everyday fashion in the 1950s and 1960sA new photography book from The Anonymous Project showcases its subjects when they’re dressed for best, posing for events and celebrations unknown
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Inside Camperlab’s Harry Nuriev-designed Paris store, a dramatic exercise in contrastThe Crosby Studios founder tells Wallpaper* the story behind his new store design for Mallorcan shoe brand Camperlab, which centres on an interplay between ‘crushed concrete’ and gleaming industrial design
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We explore Franklin Israel’s lesser-known, progressive, deconstructivist architectureFranklin Israel, a progressive Californian architect whose life was cut short in 1996 at the age of 50, is celebrated in a new book that examines his work and legacy
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Met Gala 2025 and ‘Superfine: Tailoring Black Style’ exhibition: everything we know so farEverything Wallpaper* knows about the Met Gala 2025 so far – from the just-revealed dress code to the exhibition theme and A-list co-chairs
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Sarah Moon brings painterly fashion and dark fantasy to Fotografiska New YorkOctogenarian French photographer and filmmaker Sarah Moon shows 30 years of work at Fotografiska New York – spanning fashion and fantasy, mystery and the macabre, it’s dark, painterly and compelling
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‘In America: A Lexicon of American Fashion' is coming to The MetThe first of a two-part, year-long extravaganza, ‘In America: A Lexicon of American Fashion’ is organised into 12 sections that seek to define the emotional qualities in American style
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Saint Laurent celebrates 40 years of Memphis GroupMemphis Group's milestone birthday is celebrated with a series of colourful furniture installations across the French maison's concept boutiques
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‘A place for the eye to pause’: Ulla Johnson unveils New York HQThe Manhattan-born fashion designer opens a warmly-hued style sanctuary, created in collaboration with architect Rafael de Cárdenas
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Es Devlin-designed time-travelling exhibition opens at The Met’s Costume Institute‘Our aim is to communicate the phenomenon of time as it is expressed through the female form,’ says Devlin of the exhibition she has designed alongside curator Andrew Bolton
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Theory A/W 2020 New York Fashion Week Women’s -
Michael Kors A/W 2020 New York Fashion Week Women’s
