Mood board: Tone-on-tone fine wool and tweed silhouettes in whites, greys, khakis and burgundy, combined with low cut patent leather Chelsea boots worn with socks. A calm and composed collection, where androgynous models strolled leisurely past in wide legged slouchy pants and mid-calf length wrap skirts, leather skirts and shearling vests, all images of practicality and warmth.
Scene setting: The grey concrete Rambert Dance Company building on the South Bank - minimalist and austere - matched Margaret Howell's characteristically classic colour palette and cuts. Quite unexpected was the soundtrack: light-hearted songs, like disco ballads - we'd almost think the reserved Howell woman was pondering love.
Finishing touches: Further softening the looks was the hair: there were romantically tousled locks by Anthony Turner, who opted for slightly puffed up knots with tufts of hair escaping. Fine, near-invisible, double hairbands added some restraint.
Photography: Jason Lloyd-Evans
-
Ligne Roset teams up with Origine to create an ultra-limited-edition bikeThe Ligne Roset x Origine bike marks the first venture from this collaboration between two major French manufacturers, each a leader in its field
-
The Subaru Forester is the definition of unpretentious automotive designIt’s not exactly king of the crossovers, but the Subaru Forester e-Boxer is reliable, practical and great for keeping a low profile
-
Sotheby’s is auctioning a rare Frank Lloyd Wright lamp – and it could fetch $5 millionThe architect's ‘Double-Pedestal’ lamp, which was designed for the Dana House in 1903, is hitting the auction block 13 May at Sotheby's.
