Mood board: It appeared as though Jason Wu had cut his Boss collection with a scalpel for A/W, drawing architectural lines and folds on hard-edge, double faced wools and flannels.
Best in show: One particularly fetching, body-skimming grey wool dress came with a sliced out bodice that looked like window slits onto the skin.
Finishing touches: This was a show with great footwear, namely the perfectly proportioned riding boots that featured calfskin fronts and grey wool covering the backs.
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Met Gala 2025 and ‘Superfine: Tailoring Black Style’ exhibition: everything we know so farEverything Wallpaper* knows about the Met Gala 2025 so far – from the just-revealed dress code to the exhibition theme and A-list co-chairs
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Sarah Moon brings painterly fashion and dark fantasy to Fotografiska New YorkOctogenarian French photographer and filmmaker Sarah Moon shows 30 years of work at Fotografiska New York – spanning fashion and fantasy, mystery and the macabre, it’s dark, painterly and compelling
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‘In America: A Lexicon of American Fashion' is coming to The MetThe first of a two-part, year-long extravaganza, ‘In America: A Lexicon of American Fashion’ is organised into 12 sections that seek to define the emotional qualities in American style
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Saint Laurent celebrates 40 years of Memphis GroupMemphis Group's milestone birthday is celebrated with a series of colourful furniture installations across the French maison's concept boutiques
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‘A place for the eye to pause’: Ulla Johnson unveils New York HQThe Manhattan-born fashion designer opens a warmly-hued style sanctuary, created in collaboration with architect Rafael de Cárdenas
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Es Devlin-designed time-travelling exhibition opens at The Met’s Costume Institute‘Our aim is to communicate the phenomenon of time as it is expressed through the female form,’ says Devlin of the exhibition she has designed alongside curator Andrew Bolton
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Theory A/W 2020 New York Fashion Week Women’s -
Michael Kors A/W 2020 New York Fashion Week Women’s
