Mood board: Christopher Kane paid tribute to the working woman this season, delivering punchy, industrial looks that displayed a tough femininity. ‘She’s the kind of girl who likes sharp lines and the ease of Velcro,’ explained the Scottish designer after the show. ‘I had this idea of a female factory worker in my mind,’ he added. In typical fashion, Kane filtered this narrative through a stream of influences – from the otherworldly art of the late Ionel Talpazan to the subversion of technology. ‘There are many lotions and potions in this mix,’ he said of the line, which showcased oil-slick effect knits, holographic corsages, mink-lined Crocs and abstract dresses that sprouted tulle in an awkward but elegant manner.
Sound bite: ‘There are always variations to our work every season,’ mused Kane. ‘It’s never one thing because I get really bored. I mean, I’ve always been a fan of outsiders, and that’s why the street artist Ionel Talpazan felt so right at this moment. But I suppose that luxury doesn’t have to be about a beautiful gown or dress, for me – it’s something different, it’s not normal.’
Finishing touch: A pair of pointed strappy sandals contained padded foam panels, as though they’d been freshly plucked from their shoebox. ‘It’s something you’ve seen so many times before, but has never actually been a functional thing – until now,’ concluded Kane.
Christopher Kane A/W 2017
Christopher Kane A/W 2017
Christopher Kane A/W 2017
Christopher Kane A/W 2017.
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The Barbican as muse: composer Shiva Feshareki on bringing the brutalist icon to life through musicFor the last two years, British-Iranian experimental composer and turntablist Shiva Feshareki has been drawing on the Barbican’s hidden history as a gateway for her new piece. She talks to Wallpaper* about her Brutalist muse
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London's coolest design-led coffee shops for your Fashion Week fixCoffee shops are the heart of London’s neighbourhoods, discover those fusing speciality beans and stylish interiors for the perfect brew
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Martine Rose’s first gallery show celebrates the radical queer energy of Bronski BeatTaking place at Sadie Coles over London Fashion Week, ‘Everything Must Change’ centres on a 2016 short film by menswear designer Martine Rose and image-maker Sharna Osborne starring Bronski Beat frontman Jimmy Somerville
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Inside Louis Vuitton’s Murakami London pop-up, a colourful cartoon wonderland with one-of-a-kind caféWallpaper* takes a tour of the Louis Vuitton x Murakami pop-up in London’s Soho, which celebrates the launch of a new ‘re-edition’ accessories collection spanning the greatest hits from the Japanese artist’s long-running collaboration with the house
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Get to know Issey Miyake’s innovative A-POC ABLE line as it arrives in the UKAs A-POC ABLE Issey Miyake launches in London this week, designer Yoshiyuki Miyamae gives Wallpaper* the lowdown on the experimental Issey Miyake offshoot
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Margaret Howell London Fashion Week Women's S/S 2019 -
London Fashion Week S/S 2023: Ahluwalia to Martine RoseThough slimmed-down, London Fashion Week nonetheless provided the moments of creative expression the city is known for – from Ahluwalia’s ode to Africa to Martine Rose’s much-anticipated runway return
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Discover these fashion brands at London Craft WeekDuring London Craft Week, fashion brands including Smythson, Bally and Serapian are hosting events across the capital
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London Fashion Week S/S 2022: eight important insights to know nowFashion brands are back with a bang in The Big Smoke. Here’s everything you need to know from London Fashion Week S/S 2022
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Nicholas Daley's multicultural roots celebrated in London -
Optimism and pragmatism align at London Fashion Week S/S 2021In a socially-distanced show season different to any other, LFW's designers offered images of hope, escapism and utilitarianism
