Scene setting: Showgoers trekked to 146th Street in Harlem, to the majestic, yet dilapidated RKO Hamilton Theater, which was built in 1913, and has had several incarnations — a church, a boxing auditorium, a disco and a retail space — before becoming the scene for Alexander Wang’s A/W 2017 runway show. The cheeky 'No After Party’ message at the bottom of the invite alluded to the capsule collection that would be released the day after the show, displaying the text, which was an irreverent message to counter Wang’s highly anticipated after parties. There may have been no after party this season, but the runway show itself was a party of sorts, as cups of Peroni were doled out upon entering and exiting the venue.
Best in show: Wang paraded out a series of edgy, black, party girl — the irony! — looks that kick started his career. Mini leather shorts, worn with tights and topped with a long-sleeved Night of Treason punk band t-shirt and slinky black party dresses — the kinds of things that defined the Alexander Wang brand — came out, but the tailored, sculptural black coats accented with large circular metallic buttons that opened the show were the strongest pieces.
Finishing touches: Ball studs lined the soles of black boots, giving them a distinct accent that will surely be copied in the coming months. Silver fringe lined the pockets of western-inspired checkered jackets.
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Year in review: top 10 design stories of 2024Wallpaper* magazine's 10 most-read design stories of 2024 whisk us from fun Ikea pieces to the man who designed the Paris Olympics, and 50 years of the Rubik's Cube
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Sharon Smith's Polaroids capture 1980s New York nightlifeIDEA Books has launched a new monograph of Smith’s photographs, titled Camera Girl and edited by former editor-in-chief of LIFE magazine, Bill Shapiro
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A multifaceted Beverly Hills house puts the beauty of potentiality in the frameA Beverly Hills house in Trousdale, designed by Robin Donaldson, brings big ideas to the residential scale
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Sarah Moon brings painterly fashion and dark fantasy to Fotografiska New YorkOctogenarian French photographer and filmmaker Sarah Moon shows 30 years of work at Fotografiska New York – spanning fashion and fantasy, mystery and the macabre, it’s dark, painterly and compelling
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‘In America: A Lexicon of American Fashion' is coming to The MetThe first of a two-part, year-long extravaganza, ‘In America: A Lexicon of American Fashion’ is organised into 12 sections that seek to define the emotional qualities in American style
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Saint Laurent celebrates 40 years of Memphis GroupMemphis Group's milestone birthday is celebrated with a series of colourful furniture installations across the French maison's concept boutiques
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‘A place for the eye to pause’: Ulla Johnson unveils New York HQThe Manhattan-born fashion designer opens a warmly-hued style sanctuary, created in collaboration with architect Rafael de Cárdenas
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Es Devlin-designed time-travelling exhibition opens at The Met’s Costume Institute‘Our aim is to communicate the phenomenon of time as it is expressed through the female form,’ says Devlin of the exhibition she has designed alongside curator Andrew Bolton
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A decade of fashion show history in picturesBritish photographer Jason Lloyd Evans shares his favourite backstage images, from the runway shows of Dolce & Gabbana, Chanel, Armani, Proenza Schouler, Versace and more
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Theory A/W 2020 New York Fashion Week Women’s -
Michael Kors A/W 2020 New York Fashion Week Women’s
