Mood board: The collection was an ode to Beverly Pepper, the American artist known for her sculptures in element materials such as wood, cast iron, bronze and stone. Pepper, in her late nineties, passed away the week before the show: today’s honouring of the artist wasn’t a reactionary dedication, but, like everything the Row does, had been meticulously planned for weeks, months.
Scene setting: The windows of The Row’s Greenwich Village space had been intentionally blocked in, with strip lights added to manufacture the feel of a white cube gallery space. Pepper’s giant wooden sculpture, Untitled #84, 1970, hung from the steel girders like a suspended punctuation mark; delicate spindly wooden totems from the Eighties decorated the polished concrete floor. Elvis’s ‘Can’t Help Falling in Love with You' played through once only and the rest of the show and finale unfolded in ceremonial silence. There was no designer bow from the Olsens.
Best in show: Civilised, calm, immaculate, effortless. Ashley and Mary-Kate Olsen delivered a comprehensive collection, confidently edited to 33 looks (giant collections feel superfluous against the backdrop of current ecological anxiety). High-quality wool suiting with a luxurious low lustre sheen was the focal point: giant patch pockets on blazers, waistcoats and full pleat-front trousers were perfectly executed. Soothing on the senses, cappuccino, sand and ashy chocolate brown led the palette. Extremities were diligently considered: sleeves pushed up were paired with long cashmere gloves, and suiting worn with the most elegant of balaclavas.
The Row A/W 2020
The Row A/W 2020
The Row A/W 2020
The Row A/W 2020
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First look – Bottega Veneta and Flos release a special edition of the Model 600Gino Sarfatti’s fan favourite from 1966 is born again with Bottega Veneta’s signature treatments gracing its leather base
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We stepped inside the Stedelijk Museum's newest addition in AmsterdamAmsterdam's Stedelijk Museum has unveiled its latest addition, the brand-new Don Quixote Sculpture Hall by Paul Cournet of Rotterdam creative agency Cloud
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On a sloped Los Angeles site, a cascade of green 'boxes' offers inside outside livingUnStack, a house by FreelandBuck, is a cascading series of bright green volumes, with mountain views
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Sarah Moon brings painterly fashion and dark fantasy to Fotografiska New YorkOctogenarian French photographer and filmmaker Sarah Moon shows 30 years of work at Fotografiska New York – spanning fashion and fantasy, mystery and the macabre, it’s dark, painterly and compelling
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‘In America: A Lexicon of American Fashion' is coming to The MetThe first of a two-part, year-long extravaganza, ‘In America: A Lexicon of American Fashion’ is organised into 12 sections that seek to define the emotional qualities in American style
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Saint Laurent celebrates 40 years of Memphis GroupMemphis Group's milestone birthday is celebrated with a series of colourful furniture installations across the French maison's concept boutiques
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‘A place for the eye to pause’: Ulla Johnson unveils New York HQThe Manhattan-born fashion designer opens a warmly-hued style sanctuary, created in collaboration with architect Rafael de Cárdenas
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Es Devlin-designed time-travelling exhibition opens at The Met’s Costume Institute‘Our aim is to communicate the phenomenon of time as it is expressed through the female form,’ says Devlin of the exhibition she has designed alongside curator Andrew Bolton
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Theory A/W 2020 New York Fashion Week Women’s -
Michael Kors A/W 2020 New York Fashion Week Women’s -
Gabriela Hearst A/W 2020 New York Fashion Week Women’s
