Raf Simons’ paved the front of the Louvre’s Cour Carrée with a multifaceted mirror that distorted the immaculate lines of the building’s classical 18th century façade. The same kind of twisting occurred once inside the show, where the clothes were imbued with - at least in historic terms - a split personality. The 18th century provided fertile ground for Simons’ remixed influences, from the rural countryside to glamorous court palaces, which manifested themselves in a variety of silhouettes, cuts and materials. Circle skirts came reared with humped backs; dresses were trimmed in rows of microscopic fabric buttons; sleeves had the pomp of court dress; while velvet gilets tumbled to the ground like grand, sweeping frock coats. Most intriguing, however, were the more humble iterations of that period, like a calico print cotton that was cut into modern shapes and paired up with 1980s-style black tailored separates, or the old-fashioned nightgowns that found new life as crispy, airy cotton dresses. Simons anchored his looks with witchy-looking boots constructed from knitted sock uppers. The best looks in this collection, however, were those where Simons’ icy modernism popped out: the micro jacquard suiting was excellent as were the figure-hugging button-trimmed ¾ length skirts, paired with turtlenecks and lace tops.
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Hella Jongerius’ ‘Angry Animals’ take a humorous and poignant bite out of the climate crisisAt Salon 94 in New York, Hella Jongerius presents animal ceramics, ‘Bead Tables’ and experimental ‘Textile Studies’ – three series that challenge traditional ideas about function, craft, and narrative
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A photographic study of a family hi-fi store is a vivid portrait of a small businessFashion photographer Nik Hartley looked behind the scenes at Wilkinson’s Hi-Fi, a longstanding part of its Lancashire community.
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The Contestant: inside the dark and exploitative beginnings of reality TVClair Titley’s The Contestant examines a sensationalist moment in TV history, before Big Brother meant reality became an accepted part of popular culture
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Summer games, from pétanque to pool floats, get a fashionable spinFrom a luxurious pétanque set to pool floats and playing cards, summer games and toys from the world’s best-known fashion houses
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‘Modern beauty’: Pieter Mulier on his new vision for AlaïaAs creative director of Alaïa, Belgian designer Pieter Mulier honours the timeless vision of the maison’s founder while rewriting the past anew. Here, speaking to Jack Moss, he tells the story behind his first year at the house
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Palace unites with Rapha to celebrate inaugural Tour de France FemmesMarking the first time women will compete in the historic cycling race since the late 1980s, this new collaboration sees Palace Skateboards and Rapha create uniforms for both on and off the bike – including an ‘outlandish’ pair of Crocs
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NYC fashion exhibitions to see right nowNew York City fashion exhibitions to add to your cultural calendar, as style stages a stunning takeover at The Met and more
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Mariella Bettineschi’s feminist artworks survey guests at Dior A/W 2022 showAs guests gathered at Dior’s A/W 2022 womenswear show venue in Paris, sets of duplicated eyes stared down at them from the artworks of Mariella Bettineschi
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Paris Fashion Week A/W 2022: Chanel to Miu MiuIn this extended report, Wallpaper* updates you live from Paris Fashion Week A/W 2022 shows, with rolling coverage as runway events unfold
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Scene-stealing runway sets from A/W 2022 menswear showsA Kubrickian space odyssey at Prada; a recreation of the Pont Alexandre III in Paris at Dior; and colourful, artist-created flags at Loewe: explore the best runway sets from the A/W 2022 menswear shows
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Dior recreates Paris bridge, Pont Alexandre III, for A/W 2022 showDior recreated Paris’ landmark bridge, Pont Alexandre III, for its A/W 2022 menswear show, which took place on 21 January 2022, the date of Christian Dior’s birthday
