Hedi Slimane took us on the road for spring - his 'with the band' outing dominated by retro-tinged leather jackets worn with printed miniskirts, ripped denim hot pants and baby doll dresses teamed with glittering, stage-issue platforms and bolero hats. The first look - a ruffled frock featuring a cherry print not unlike Pacha's infamous trademark - was, of course, a reference to Yves Saint Laurent's S/S 2001 Haute Couture show, not the super-club. But from here we were off and dancing with Slimane's latest rock'n'roll mistress. It was all wired for sound, a natural companion to 'Sonic', the creative director's photo exhibition at the Fondation Pierre Bergé, which peers backstage at Sunset Strip dive bars, Graceland and other dubious musical haunts. Crushed-leather trenches, military surplus worn with faded florals, plaited-leather belts and plunging glomesh tops tucked into bootcut trousers sealed this collection's youthful spirit. These were luxed-up versions of 1970s favourites that will no longer haunt the backs of wardrobes. Slimane closed the gig with arena-worthy fireworks: shimmery blazers, patchworked mini dresses, a gold-leather lapel on a house Le Smoking. From afar, Slimane's way of pairing sequinned jackets with ripped denim may reveal a high-low approach, but up close the pieces are for fangirls who want to give their best performance every day.
Hedi Slimane took us on the road for spring - his 'with the band' outing dominated by retro-tinged leather jackets worn with printed miniskirts, ripped denim hot pants and baby doll dresses teamed with glittering, stage-issue platforms and bolero hats. The first look - a ruffled frock featuring a cherry print not unlike Pacha's infamous trademark - was, of course, a reference to Yves Saint Laurent's S/S 2001 Haute Couture show, not the super-club. But from here we were off and dancing with Slimane's latest rock'n'roll mistress. It was all wired for sound, a natural companion to 'Sonic', the creative director's photo exhibition at the Fondation Pierre Bergé, which peers backstage at Sunset Strip dive bars, Graceland and other dubious musical haunts. Crushed-leather trenches, military surplus worn with faded florals, plaited-leather belts and plunging glomesh tops tucked into bootcut trousers sealed this collection's youthful spirit. These were luxed-up versions of 1970s favourites that will no longer haunt the backs of wardrobes. Slimane closed the gig with arena-worthy fireworks: shimmery blazers, patchworked mini dresses, a gold-leather lapel on a house Le Smoking. From afar, Slimane's way of pairing sequinned jackets with ripped denim may reveal a high-low approach, but up close the pieces are for fangirls who want to give their best performance every day.
Hedi Slimane took us on the road for spring - his 'with the band' outing dominated by retro-tinged leather jackets worn with printed miniskirts, ripped denim hot pants and baby doll dresses teamed with glittering, stage-issue platforms and bolero hats. The first look - a ruffled frock featuring a cherry print not unlike Pacha's infamous trademark - was, of course, a reference to Yves Saint Laurent's S/S 2001 Haute Couture show, not the super-club. But from here we were off and dancing with Slimane's latest rock'n'roll mistress. It was all wired for sound, a natural companion to 'Sonic', the creative director's photo exhibition at the Fondation Pierre Bergé, which peers backstage at Sunset Strip dive bars, Graceland and other dubious musical haunts. Crushed-leather trenches, military surplus worn with faded florals, plaited-leather belts and plunging glomesh tops tucked into bootcut trousers sealed this collection's youthful spirit. These were luxed-up versions of 1970s favourites that will no longer haunt the backs of wardrobes. Slimane closed the gig with arena-worthy fireworks: shimmery blazers, patchworked mini dresses, a gold-leather lapel on a house Le Smoking. From afar, Slimane's way of pairing sequinned jackets with ripped denim may reveal a high-low approach, but up close the pieces are for fangirls who want to give their best performance every day.
Hedi Slimane took us on the road for spring - his 'with the band' outing dominated by retro-tinged leather jackets worn with printed miniskirts, ripped denim hot pants and baby doll dresses teamed with glittering, stage-issue platforms and bolero hats. The first look - a ruffled frock featuring a cherry print not unlike Pacha's infamous trademark - was, of course, a reference to Yves Saint Laurent's S/S 2001 Haute Couture show, not the super-club. But from here we were off and dancing with Slimane's latest rock'n'roll mistress. It was all wired for sound, a natural companion to 'Sonic', the creative director's photo exhibition at the Fondation Pierre Bergé, which peers backstage at Sunset Strip dive bars, Graceland and other dubious musical haunts. Crushed-leather trenches, military surplus worn with faded florals, plaited-leather belts and plunging glomesh tops tucked into bootcut trousers sealed this collection's youthful spirit. These were luxed-up versions of 1970s favourites that will no longer haunt the backs of wardrobes. Slimane closed the gig with arena-worthy fireworks: shimmery blazers, patchworked mini dresses, a gold-leather lapel on a house Le Smoking. From afar, Slimane's way of pairing sequinned jackets with ripped denim may reveal a high-low approach, but up close the pieces are for fangirls who want to give their best performance every day.
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La Môme London finds its home at The Berkeley hotelAll the razzle-dazzle of Cannes and Monte Carlo is wrapped up in this one fabulous dining room and terrace in London
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The new dawn of the London sandwich shopThe appeal of a quick meal between two slices of bread has long held sway in the UK. We look back on the rise of the sandwich shop and explore the new wave of London venues that are making it a more stylised experience
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'The more I create, the more questions I have': Nifemi Marcus-Bello on craft and creativityThe Nigerian designer discusses the evolution of his Oríkì series, the distinct design language of Lagos and the shifting landscape for young African designers
