There is nothing that is reasonably appropriate for a dry office job at Stella McCartney and for this we are deeply grateful. McCartney has her hand on the pulse of how every relaxed cool girl wants to dress; and the reality is that these women are now wearing well-designed, well-cut and well-made sportswear for nearly every hour of their day. McCartney offered a trove of options for spring, most of which came in coordinated, monochromatic two-piece sets. She cut wide leg culottes and sailor trousers from sturdy cotton twill and linen, setting them off with matching shirts or boxy tops. Giant portholes were cut out of the trims of skirts and tops, oversized belt buckles closed up the fronts of halter tops, while McCartney played with asymmetrical kerchief hems on both her tunic-length tops and matching skirts that were crafted from a cool looking ribbed knit. There were massive amounts of ripe cherries to pluck from this well-stocked collection, including her new take on denim, which saw airy, voluminous shapes trimmed in rich looking appliqué thread work.
There is nothing that is reasonably appropriate for a dry office job at Stella McCartney and for this we are deeply grateful. McCartney has her hand on the pulse of how every relaxed cool girl wants to dress; and the reality is that these women are now wearing well-designed, well-cut and well-made sportswear for nearly every hour of their day. McCartney offered a trove of options for spring, most of which came in coordinated, monochromatic two-piece sets. She cut wide leg culottes and sailor trousers from sturdy cotton twill and linen, setting them off with matching shirts or boxy tops. Giant portholes were cut out of the trims of skirts and tops, oversized belt buckles closed up the fronts of halter tops, while McCartney played with asymmetrical kerchief hems on both her tunic-length tops and matching skirts that were crafted from a cool looking ribbed knit. There were massive amounts of ripe cherries to pluck from this well-stocked collection, including her new take on denim, which saw airy, voluminous shapes trimmed in rich looking appliqué thread work.
There is nothing that is reasonably appropriate for a dry office job at Stella McCartney and for this we are deeply grateful. McCartney has her hand on the pulse of how every relaxed cool girl wants to dress; and the reality is that these women are now wearing well-designed, well-cut and well-made sportswear for nearly every hour of their day. McCartney offered a trove of options for spring, most of which came in coordinated, monochromatic two-piece sets. She cut wide leg culottes and sailor trousers from sturdy cotton twill and linen, setting them off with matching shirts or boxy tops. Giant portholes were cut out of the trims of skirts and tops, oversized belt buckles closed up the fronts of halter tops, while McCartney played with asymmetrical kerchief hems on both her tunic-length tops and matching skirts that were crafted from a cool looking ribbed knit. There were massive amounts of ripe cherries to pluck from this well-stocked collection, including her new take on denim, which saw airy, voluminous shapes trimmed in rich looking appliqué thread work.
There is nothing that is reasonably appropriate for a dry office job at Stella McCartney and for this we are deeply grateful. McCartney has her hand on the pulse of how every relaxed cool girl wants to dress; and the reality is that these women are now wearing well-designed, well-cut and well-made sportswear for nearly every hour of their day. McCartney offered a trove of options for spring, most of which came in coordinated, monochromatic two-piece sets. She cut wide leg culottes and sailor trousers from sturdy cotton twill and linen, setting them off with matching shirts or boxy tops. Giant portholes were cut out of the trims of skirts and tops, oversized belt buckles closed up the fronts of halter tops, while McCartney played with asymmetrical kerchief hems on both her tunic-length tops and matching skirts that were crafted from a cool looking ribbed knit. There were massive amounts of ripe cherries to pluck from this well-stocked collection, including her new take on denim, which saw airy, voluminous shapes trimmed in rich looking appliqué thread work.
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One to Watch: designer Valerie Name infuses contemporary objects and spaces with historical detailFrom vessels to furnishings and interiors, New York- and Athens-based designer Valerie Name finds new relevance for age-old craft techniques
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Cora Sheibani celebrates unexpected diamond cuts in a new jewellery collectionCora Sheibani's latest collection, ‘Facets and Forms’, marries her love of history and science
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Meet Kenia Almaraz Murillo, the artist rethinking weavingKenia Almaraz Murillo draws on the new and the traditional in her exhibition 'Andean Cosmovision' at London's Waddington Custot
