Scene setting: Anya Hindmarch is renowned for her show-stopping and theatrical show sets – recent seasons have seen her unveil her collections against architectural snowscapes, or a titanic flashing Rubik’s cube. For S/S 2018, the designer worked with regular collaborators Inca Production on a suburban show set resembling a large residence. Modelled on the home next door to the brand’s creative director, the exterior was flanked with Anaglypta-inspired wallpaper, and as the show closed the roof was raised to reveal a large sparkling disco ball. With a set that echoed the seventies-inspired collection, it was easy to imagine the models sipping on Babycham and tucking into a prawn cocktail inside the house.
Mood board: Hindmarch looked to everyday seventies suburbia for inspiration. ‘That’s the one I know,’ Hindmarch said post-show. The collection featured clear plastic housecoats, chintzy prints, and leather accessories resembling retro Chesterfield sofas and puffy button top cushions. ‘I was playing with candlewick embroidery techniques, and jacquards seen on house coats,’ she explained. ‘It’s taken me six months to find a candlewick expert. It’s great to bring back that element of craft.’
Best in show: The designer’s penchant for wit was seen in her typically humorous accessories – bags, for instance, came with light-hearted motifs like blinking eyes and smiley faces. The standout design of her S/S 2018 show, however, was a metal clutch bag modelled on polystyrene takeaway boxes.
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The Barbican as muse: composer Shiva Feshareki on bringing the brutalist icon to life through musicFor the last two years, British-Iranian experimental composer and turntablist Shiva Feshareki has been drawing on the Barbican’s hidden history as a gateway for her new piece. She talks to Wallpaper* about her Brutalist muse
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London's coolest design-led coffee shops for your Fashion Week fixCoffee shops are the heart of London’s neighbourhoods, discover those fusing speciality beans and stylish interiors for the perfect brew
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Martine Rose’s first gallery show celebrates the radical queer energy of Bronski BeatTaking place at Sadie Coles over London Fashion Week, ‘Everything Must Change’ centres on a 2016 short film by menswear designer Martine Rose and image-maker Sharna Osborne starring Bronski Beat frontman Jimmy Somerville
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Inside Louis Vuitton’s Murakami London pop-up, a colourful cartoon wonderland with one-of-a-kind caféWallpaper* takes a tour of the Louis Vuitton x Murakami pop-up in London’s Soho, which celebrates the launch of a new ‘re-edition’ accessories collection spanning the greatest hits from the Japanese artist’s long-running collaboration with the house
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Get to know Issey Miyake’s innovative A-POC ABLE line as it arrives in the UKAs A-POC ABLE Issey Miyake launches in London this week, designer Yoshiyuki Miyamae gives Wallpaper* the lowdown on the experimental Issey Miyake offshoot
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Margaret Howell London Fashion Week Women's S/S 2019 -
London Fashion Week S/S 2023: Ahluwalia to Martine RoseThough slimmed-down, London Fashion Week nonetheless provided the moments of creative expression the city is known for – from Ahluwalia’s ode to Africa to Martine Rose’s much-anticipated runway return
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Discover these fashion brands at London Craft WeekDuring London Craft Week, fashion brands including Smythson, Bally and Serapian are hosting events across the capital
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Nicholas Daley's multicultural roots celebrated in London -
V&A spotlights the sartorial and social significance of the kimonoFor the latest endeavour of London's Victoria and Albert Museum, Kimono: Kyoto to Catwalk explores the evolution of the iconic Japanese garment
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Erdem A/W 2020 London Fashion Week Women's
