Arthur Arbesser S/S 2018

Scene setting: Vienna-born Arthur Arbesser printed the score of Franz Schubert’s Fantasia in F minor onto his show invitation – two pianists were on hand at the show venue to peform the musical duet. It’s not the first time the designer has picked the composer (also Austrian) as his soundtrack – his compositions formed the accompaniment to the designer’s A/W 2015 show.
Mood board: Hands were a running motif throughout, tiled over graphic intarsia knit jumpers, and paired with demure knee length shirts. The elegant collection featured puff-shouldered striped dresses styled with a string of glass beads, raingear came in lilac PVC (transparent outerwear is everywhere on the catwalks) and polo-shirts and shorts were imagined in kitsch graphic prints. Glinting beads also featured on navy coats and shirts, stitched in graphic horizontal stripes.
Finishing touches: There’s always a touch of the off-kilter in Arbesser’s designs, sharing a similar appeal with Marni on the Milan fashion schedule. For S/S 2018, Arbesser settled for unusual sou’wester hats, imagined in graphic prints and sailor stripes.
Arthur Arbesser S/S 2018
Arthur Arbesser S/S 2018
Arthur Arbesser S/S 2018
Arthur Arbesser S/S 2018
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
-
Dimoremilano and Loro Piana channel 1970s cinema in decadent Milan display
At Milan Design Week 2025, Dimorestudio has directed and staged an immersive, film-inspired installation to present new furniture and decor for Loro Piana
By Dan Howarth Published
-
The new Google Pixel 9a is a competent companion on the pathway to the world of AI
Google’s reputation for effective and efficient hardware is bolstered by the introduction of the new Pixel 9a, a mid-tier smartphone designed to endure
By Jonathan Bell Published
-
In Milan, MoscaPartners presents a poetic exploration of ‘migration’
Alongside immersive work by Byoung Cho, MoscaPartners’ Milan Design Week 2025 display features an accessible exhibition path designed for visually impaired visitors
By Cristina Kiran Piotti Published