Scene setting: For the first time in years, Salvatore Ferragamo changed up its show location, moving from inside the Borsa Italiana to an outdoor catwalk just outside of the historic Italian stock exchange, where a middle finger statue by Maurizio Cattelan looms large. The artist’s L.O.V.E. (2010) sculpture sat in stark contrast to the romantic show setting, with soft grass underfoot and a raised Perspex catwalk.
Mood board: Salvatore Ferragamo design director Fulvio Rigoni was inspired by glamourous female icons like Greta Garbo, Marilyn Monroe and Brigitte Bardot. This manifested itself in a diverse and sophisticated collection made up of dresses shimmering with sequins cut in exotic skins, fringed or transparent skirts, flared jumpsuits, knits with oversized stitching and sexy swimming costumes.
Finishing touches: It was the second collection for Paul Andrew, Ferragamo’s recently minted design director of women’s footwear. The shoemaker imagined the grosgrain-style petal heels from his debut in newer heights for S/S 2018. Andrew also updated the sporty sock boot he presented last season, swapping its knit material for weaved leather.
Salvatore Ferragamo S/S 2018.
Salvatore Ferragamo S/S 2018.
Salvatore Ferragamo S/S 2018.
Salvatore Ferragamo S/S 2018.
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Must-visit cinemas with award-worthy designCreativity leaps the screen at these design-led cinemas, from Busan Cinema Centre’s record-flying roof to The Gem Cinema Jaipur’s art deco allure
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The modernist home of musician Imogen Holst gets Grade II listingThe daughter of the composer Gustav Holst lived here from 1964 until her death, during which time the home served a locus for her own composition work, which included assisting Benjamin Britten
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This fun and free-spirited photography exhibition offers a chromatic view on the world‘Chromotherapia’ at Villa Medici in Rome, explores how we view colour as a way of therapy, and how it has shaped photography over the last century (until 9 June 2025)
