Scene setting: In recent seasons Donatella Versace has favoured intimate runway shows, but for S/S 2019 she upped up the ante with an enormous showspace inside Milan’s Palazzo delle scintille. Guests for the evening-time show opened up a rubber-wristband-come-invitation emblazoned with the word ‘Versace’. Assembled on colourful seating, which evoked the zesty retro shades of the brand’s S/S 2019 collection, Quay Dash’s Queen Of This Shit blared out as the show began.
Mood board: Dash’s soundtrack encapsulated the show’s empowering and emboldening theme, and was an evocation of the host of queens on the catwalk, including Freja Beha Erichsen, Anya Rubik, Bella and Gigi Hadid, Kaia Garber, Natasha Poly and a stupendous final walk from Shalom Harlow. Versace’s gang of girls were all here. Their ensembles of choice? Retro ribbed knits and tailoring, draped floral dresses, micro mini skirts and dresses in neon hued and block colour leather. There was a relaxed bohemianism to the draped numbers, with Versace’s flower power messaging enhanced by bloom-detail tights and its acid hues translated into more everyday pieces, like a neon green leather coat and a boxy red satin jacket.
Finishing touches: Clumpy cylindrical heel shapes bought a wearability to the house’s overtly sexy codes, and silk foulard turbans added further oomph to an accessory trend noted at Tom Ford in New York and JW Anderson in London.
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The Barbican as muse: composer Shiva Feshareki on bringing the brutalist icon to life through musicFor the last two years, British-Iranian experimental composer and turntablist Shiva Feshareki has been drawing on the Barbican’s hidden history as a gateway for her new piece. She talks to Wallpaper* about her Brutalist muse
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London's coolest design-led coffee shops for your Fashion Week fixCoffee shops are the heart of London’s neighbourhoods, discover those fusing speciality beans and stylish interiors for the perfect brew
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Martine Rose’s first gallery show celebrates the radical queer energy of Bronski BeatTaking place at Sadie Coles over London Fashion Week, ‘Everything Must Change’ centres on a 2016 short film by menswear designer Martine Rose and image-maker Sharna Osborne starring Bronski Beat frontman Jimmy Somerville
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Milan Fashion Week Men’s S/S 2023: Fendi to PradaFrom Prada’s exploration of archetypal menswear garments to JW Anderson’s much-anticipated debut in the city, the best of Milan Fashion Week Men’s S/S 2023, as it happens
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Milan Fashion Week A/W 2022: Prada to Bottega VenetaIn this extended report, Scarlett Conlon reports live from the Milan Fashion Week A/W 2022 shows, with rolling coverage as they take place on the runway
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Now you can admire every Versace catwalk look from your bookshelfDive into this Versace-celebrating book, which amasses more than 40 years of fashion shows and 1,200 catwalk images
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Sweats and sequins: the duality of dressing at Milan Fashion Week S/S 2021Brands from Dolce & Gabbana to Valentino considered post pandemic dressing, with escapist and pragmatic silhouettes presented with aplomb
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The filmic vision of Paris’ virtual men’s fashion weekTake an in-depth look at the trends of Paris' fashion week for Spring/Summer 2021, where brands turned to the moving image to express their collections virtually
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A decade of fashion show history in picturesBritish photographer Jason Lloyd Evans shares his favourite backstage images, from the runway shows of Dolce & Gabbana, Chanel, Armani, Proenza Schouler, Versace and more
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Giorgio Armani A/W 2020 Milan Fashion Week Women's -
Bottega Veneta A/W 2020 Milan Fashion Week Women's
