Mood board: After multiple seasons of presenting its collections in Paris, Proenza Schouler chose to go back to the tenants of American culture for its first showing back on homegrown soil. Brimming over with tie-dye, acid wash denim and Western motifs such as pointed collars, studs and leather waistcoats, the label’s dynamic collection was cool, creative and deserving of the much-welcomed homecoming it received.
Scene setting: Staged on the second floor of an under-construction building on a Wall Street, Proenza Schouler crafted a snaking runway amidst crumbling plaster and exposed concrete walls. As guests entered, they were welcomed by a specially designed installation created by the artist Isa Genzken, who has used media, architecture, consumer goods, design and other everyday cultural material to create complex imagery and works. Genzken’s pieces for the label feature five mannequins decked out in Proenza Schouler pieces, masking tape, printed paper, plastic foil, spray cans and a ladder. The work, like Genzken’s others, are rife with political commentary and social ideologies.
Best in show: With its supreme sense for proportion, Proenza Schouler delivered a collection that was a feast for the eyes. From tiered and drop-waisted acid wash dresses, to architectural, wide-legged trousers and broad, tall leather boots, cinched together with thick cord at the ankles, the duo’s ability to transform comfortable wardrobe mainstays into smouldering statements was aided by the impeccable construction and tailoring behind each.
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Hella Jongerius’ ‘Angry Animals’ take a humorous and poignant bite out of the climate crisisAt Salon 94 in New York, Hella Jongerius presents animal ceramics, ‘Bead Tables’ and experimental ‘Textile Studies’ – three series that challenge traditional ideas about function, craft, and narrative
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A photographic study of a family hi-fi store is a vivid portrait of a small businessFashion photographer Nik Hartley looked behind the scenes at Wilkinson’s Hi-Fi, a longstanding part of its Lancashire community.
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The Contestant: inside the dark and exploitative beginnings of reality TVClair Titley’s The Contestant examines a sensationalist moment in TV history, before Big Brother meant reality became an accepted part of popular culture
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Sarah Moon brings painterly fashion and dark fantasy to Fotografiska New YorkOctogenarian French photographer and filmmaker Sarah Moon shows 30 years of work at Fotografiska New York – spanning fashion and fantasy, mystery and the macabre, it’s dark, painterly and compelling
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‘In America: A Lexicon of American Fashion' is coming to The MetThe first of a two-part, year-long extravaganza, ‘In America: A Lexicon of American Fashion’ is organised into 12 sections that seek to define the emotional qualities in American style
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Saint Laurent celebrates 40 years of Memphis GroupMemphis Group's milestone birthday is celebrated with a series of colourful furniture installations across the French maison's concept boutiques
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‘A place for the eye to pause’: Ulla Johnson unveils New York HQThe Manhattan-born fashion designer opens a warmly-hued style sanctuary, created in collaboration with architect Rafael de Cárdenas
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New York Fashion Week A/W 2021: drive thrus and digital distortionNew York Fashion Week's digital-first offering presented solutions to life post-pandemic and political crisis, from brands including Tom Ford, Proenza Schouler, Khaite and Collina Strada
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Es Devlin-designed time-travelling exhibition opens at The Met’s Costume Institute‘Our aim is to communicate the phenomenon of time as it is expressed through the female form,’ says Devlin of the exhibition she has designed alongside curator Andrew Bolton
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A decade of fashion show history in picturesBritish photographer Jason Lloyd Evans shares his favourite backstage images, from the runway shows of Dolce & Gabbana, Chanel, Armani, Proenza Schouler, Versace and more
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Theory A/W 2020 New York Fashion Week Women’s
