Hermès Festival des Métiers exhibition at Saatchi Gallery, London

Hermès is offering visitors a glimpse into its ateliers with the 'Festival des Métiers' exhibition at the Saatchi Gallery
Hermès is offering visitors a glimpse into its ateliers with the 'Festival des Métiers' exhibition at the Saatchi Gallery
(Image credit: press)

The Festival des Métiers, Hermès' rolling live craft tour, arrived at London's Saatchi Gallery this week. Further evidence, if it was needed, of the determination of the luxury goods giants to prove its commitment to craftsmanship (and perhaps, in light of recent events, decent pay and safe working environments).

In truth Festival des Métiers is a low-key event - discreet to the point of invisible branding, no attempt to sell scarves, bags or other goodies on the way in or out, a playful pop-up set designed by Paola Navone - but thoroughly engaging display of hard-earned skills and hand-eye co-ordination.

10 of Hermès' craftspeople have been seconded from its various ateliers for the show, in London for just seven days. And you can watch them set diamonds, work leather, screen print scarves and paint ceramics, amongst other things. Translators are on hand so you can interrogate, though there are limited opportunities for have-a-go-yourself interventions.

It feels like the stuff of school trips and indeed Hèrmes has reached out to local schools and colleges. Unlike many other brands keen to make their processes public, Hermès has not turned any of its workshops into visitors centres or tourist draws (though there is clearly an audience out there if it did). So in 2011, the brand began taking its Festival des Métiers on the road.

The show arrives here from Beijing and Shenyang and will move on to Dusseldorf. It has proved an incredibly effective piece of marketing, says MD of Hèrmes UK and Ireland, Bertrand Michaud. A quarter of a million people visited the Festival's stop-over in Singapore, he explains, adding that the brand has particularly targeted a younger audience with the show, those perhaps too intimidated to walk into a Hermès store.

The Saatchi Gallery was chosen as a venue because of its success in appealing to a younger demographic. The London landing was also timed to coincide with the Chelsea Flower Show, taking place just down the road, hoping perhaps to divert the petal power brigade for an hour or so.

10 of Hermès' craftspeople have been seconded from its various ateliers for the show, in London for just seven days

10 of Hermès' craftspeople have been seconded from its various ateliers for the show, in London for just seven days

(Image credit: press)

Set diamonds, work leather, screen print scarves and paint ceramics,

And you can watch them set diamonds, work leather, screen print scarves and paint ceramics, amongst other things

(Image credit: press)

Engaging display of hard-earned skills and hand-eye co-ordination

A thoroughly engaging display of hard-earned skills and hand-eye co-ordination, the show arrives here from Beijing and Shenyang and will move on to Dusseldorf

(Image credit: press)

A craftsperson demonstrating the art of gem setting

A craftsperson demonstrating the art of gem setting

(Image credit: press)

A leather craftsperson with one of Hermès' bags

 A leather craftsperson with one of Hermès' bags

(Image credit: press)

brand's watchmakers

Translators are on hand so you can interrogate Hermès' various specialists, such as one of the brand's watchmakers, pictured here

(Image credit: press)

Frederic Libaud, one of the Maison's skilled silk printers, applies paint to his screen in readiness for the printing process

Frederic Libaud, one of the Maison's skilled silk printers, applies paint to his screen in readiness for the printing process

(Image credit: press)

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Duke of York's HQ
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Fashion Features Editor

Jack Moss is the Fashion Features Editor at Wallpaper*, joining the team in 2022. Having previously been the digital features editor at AnOther and digital editor at 10 and 10 Men magazines, he has also contributed to titles including i-D, Dazed, 10 Magazine, Mr Porter’s The Journal and more, while also featuring in Dazed: 32 Years Confused: The Covers, published by Rizzoli. He is particularly interested in the moments when fashion intersects with other creative disciplines – notably art and design – as well as championing a new generation of international talent and reporting from international fashion weeks. Across his career, he has interviewed the fashion industry’s leading figures, including Rick Owens, Pieter Mulier, Jonathan Anderson, Grace Wales Bonner, Christian Lacroix, Kate Moss and Manolo Blahnik.