Interview with Jeff Carvalho, Editor of Selectism
Jeff Carvalho, Editor of Selectism.com, tells us about his site and life spent at the top of the web.
What’s the USP of your website?
What sets Selectism apart is the varied amount of content we feature. Whilst most menswear sites curate one specific style, we curate several. A fashion kid can check us for Lanvin accessories, workwear guys can check us for the latest Tricker's collabs, denim heads check us for PRPS updates and those into design can check us for pieces on books & magazines. Our readers are a varied bunch and we wouldn't have it any other way
How long has Selectism been going?
Selectism came into existence as a singular site in late 2007. David Fischer of the streetwear website, Highsnobiety, wanted to build a new property focused on more transitory menswear for that individual looking for a mix of street centric fashion and traditional menswear. By March of 2008, Selectism was running full-time to fill that content void.
How many people does it employ?
Selectism currently has two full time editors. Jason Dike is based in London and I am splitting time between Boston and New York City. Two other writers who contribute more lifestyle based stories such as furniture, architecture, books, and design also report daily.
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Where are you based?
Selectism is very much a globally based business with writers spread across the United States and Europe, but we’re headquartered in the Mitte district of Berlin with a satellite office in Boston.
How often is it updated?
Selectism is updated daily on the hour with the first portion of the day’s posts coming in from our European writers while the remainder of the day comes from the US. On weekends we tend to run a bit less.
How does the web format suit what you cover and the way you cover it?
I think web format allows for a more product driven content to succeed where print depends on editorial to drive readership. Print magazines which are solely product focused seem to only work well in the Japanese market for some reason, yet Selectism and other product based blogs like our brother site, Highsnobiety, continue to drive readers. The web also clearly allows for a certain time restriction to be lifted from product announcements. PR firms and brands can seed us looks for publication in a manner which did not exist before product blogs became popular. It helps gauge short term response as well through comments and link throughs.
Have you always worked online?
Since the early days of the Internet, yes. My first venture was an electronic dance music database back in '98 and later I was co-host of a sneaker podcast which eventually was picked up on Sirius satellite radio in the United States for a short time. My love of the Internet has always been in using new media and technology to create niche services that fill a gap in various markets. Be it music, sneakers, or fashion, the Internet has clearly allowed for unique opportunities to be explored.
How have people in your industry’s attitudes changed towards the internet since you’ve been working in it?
Greatly. Until recently, fashion blogs and websites were not embraced in the same manner print was, and for good reason. Print has been the established method for delivering looks, where the Internet was seen as a speculative environment. Today, more and more brands are embracing new media and technology to deliver looks to the market. From fashion house iPhone applications to web only exclusives, the fashion world is making use of technology more than ever.
What other websites do you check regularly?
Hundreds. I live inside an RSS reader daily, as we scan a wide array of fashion, design, furniture, and music sites. To pick my favourites at the moment: Notcot, Fashionisto, Coûte Que Coûte, and Hardformat for music packaging. Surprisingly, Twitter feeds from some of our favorite brands are great ways to get an inside look on the brands. Wallpaper* of course.
What do you think is the best thing about the internet?
Instant access to information.
What’s the worst thing about the internet?
Instant access to information.
Do you think it’s a mistake that the vast majority of the internet is free?
If we’re speaking about connectivity to the Internet vs. the content which can be accessed on the Internet, I believe we all share the cost. Connectivity (the delivery channel) to the data is where most people pay today. The argument for subscription based content is a bit more tricky. For the consumer and the brands, I believe it is beneficial for us to keep our content free with revenue coming from advertising, sponsorship, and other streams. We’re looking to reach as many people as we can while receiving the sponsor and advertisement support necessary to keep moving our business.
How do you think the web will develop in the future?
The great thing about the Internet is that technology keeps redefining the information delivery mechanisms. A decade ago it was email, and web pages. Today it’s Twitter, and social broadcasting. The Internet is still young so I can only imagine it will keep reinventing itself every decade or so for a long while.
There's a belief that the speed of the web and glut of information we have available at our fingertips is fundamentally changing the way humans learn and disseminate knowledge and we’re all turning into short term transmitters – we don’t learn or remember anything for any length of time anymore. Do you agree with this?
I think this is a condition of the instant nature of the Internet. Sites like Selectism need to be careful that the information we deliver does not simply live for a few hours on our front page then forgotten by the reader. We try out best to balance this.
People blame the internet for our obsession with news and newness – is the best website the one that delivers something first?
The best website is the one that can balance and deliver content in which the reader does not feel like they’re being bombarded with too much of the new. I believe getting the story correct is more important than being first.
If the internet didn’t exist, what would you be doing instead?
Hunting swap meets for bicycles and furniture to restore and sell. Seems like a good way to make money.
Jack Moss is the Fashion Features Editor at Wallpaper*, joining the team in 2022. Having previously been the digital features editor at AnOther and digital editor at 10 and 10 Men magazines, he has also contributed to titles including i-D, Dazed, 10 Magazine, Mr Porter’s The Journal and more, while also featuring in Dazed: 32 Years Confused: The Covers, published by Rizzoli. He is particularly interested in the moments when fashion intersects with other creative disciplines – notably art and design – as well as championing a new generation of international talent and reporting from international fashion weeks. Across his career, he has interviewed the fashion industry’s leading figures, including Rick Owens, Pieter Mulier, Jonathan Anderson, Grace Wales Bonner, Christian Lacroix, Kate Moss and Manolo Blahnik.
-
Year in review: top 10 design stories of 2024
Wallpaper* magazine's 10 most-read design stories of 2024 whisk us from fun Ikea pieces to the man who designed the Paris Olympics, and 50 years of the Rubik's Cube
By Tianna Williams Published
-
Sharon Smith's Polaroids capture 1980s New York nightlife
IDEA Books has launched a new monograph of Smith’s photographs, titled Camera Girl and edited by former editor-in-chief of LIFE magazine, Bill Shapiro
By Zoe Whitfield Published
-
A multifaceted Beverly Hills house puts the beauty of potentiality in the frame
A Beverly Hills house in Trousdale, designed by Robin Donaldson, brings big ideas to the residential scale
By Ian Volner Published
-
Exclusive interview: Dries Van Noten on launching his new beauty line
In an exclusive interview, the Belgian designer shares the story behind the creation of Dries Van Noten Beauty
By Mary Cleary Last updated
-
Michèle Lamy, agent of change, on the artists to lead us into the future
Co-founder of Owenscorp, artist, performer, agent of change: Michèle Lamy on her conduits to co-creation, and five creatives who can lead us into the future – whom she champions as part of Wallpaper’s 25th anniversary ‘5x5’ project
By Dal Chodha Last updated
-
Riya Gupta on empowered femininity
Studio Rigu – the New Delhi-based label – founded in 2017 by Riya Gupta, has forward thinking footing
By Dal Chodha Last updated
-
Alber Elbaz on AZ Factory: ‘fashion for a reason, not a revolution'
On 25 April 2021, it was announced that the ebullient and beloved fashion designer Alber Elbaz had passed away. Earlier in 2021, we spoke to him about his new brand AZ Factory
By Laura Hawkins Last updated
-
Paul Smith on a few of his favourite things
Fashion designer and inveterate collector Paul Smith shares a few of his favourite things in a new book, and here with his friend and travelling companion Deyan Sudjic
By Deyan Sudjic Published
-
Issey Miyake and Tadanori Yokoo’s pop-culture inspired collaboration
Tarzan, Jaws and Marilyn Monroe all feature on a series of men's blousons which ‘give a sense of hope and look to the future'
By Danielle Demetriou Last updated
-
Introducing Merlette, the eco-aware brand elevating easy dressing
Merlette’s fluid, billowing dresses in easy-to-care-for natural fabrics feel relevant and desirable – and are ideal for wearing year-round at home. No wonder the Brooklyn-based brand is having a moment
By Tilly Macalister-Smith Last updated
-
The elegant simplicity of Arts & Science's Aoyama flagship
Designed by Atelier Tsuyoshi Tane Architects (ATTA), Arts & Sciene's new Aoyama flagship in Tokyo, offers a play between curves and lines
By Danielle Demetriou Last updated