Menswear collections A/W 2012: show invitations
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Louis Vuitton’s invitation highlighted the brand's international presence, opening to reveal a pop-up Eiffel Tower, which also formed a compass when half exposed
Louis Vuitton
Louis Vuitton
A traditional waxed-effect book cloth was the material of choice for Prada’s Milan invitation this season. The red typeface made a bold ‘Prada-esque’ statement when the concertina folds were opened
Prada
The unassuming exterior of the Maison Martin Margiela invitation opened up to reveal...
...back-to-front type on the left and reflective paper on the right, creating an amusing mirrored effect
Maison Martin Margiela
Kenzo opted for a colourful die-cut version
The puzzle-like pack opened up to reveal multiple layers of intricate interchangeable paper layers which formed various geometrical patterns
Kenzo
Margaret Howell's A3 poster was printed with an image of ivy on a soft red-to-white gradient background
Another poster-like offering, this time from Walter Van Beirendonck...
... which opened up into an A2 poster...
...with an illustration by Michael Dans on the back
Givenchy presented an illustration on an A5, lightweight stock with a perforated corner which revealed the brand's logo on the other side
Opting to deliver their invitation in an 'envelope' wittily tied with a shoelace, Berluti printed their invite in silver foil blocking with silver-gilded edges on a thick, luxurious navy-blue card
Berluti
The offering from Dior Homme arrived in a grey felt cover, laser-cut to reveal the gold foil logo which had been printed on the invitation
Show details were printed on thick card with gilded edges
Acne's playful message of comic-like hearts on the front...
...and debossed show details in matt silver on the back
Bernhard Wilhelm's mock postcards featured tongue-in-cheek crayon drawings
Bernhard Wilhelm
A minimal card from Sacai, which opened up to reveal the details clearly laid out in unfussy sans-serif script
Sacai
Sacai
Raf Simons' take on the super-simple juxtaposed serif and sans-serif typfaces
Raf Simons
Printed on luxury matt card, Hermès' navy-blue offering featured an embossed close-up of the collection season date on the front...
...with the show details discreetly printed on the back
Mimicking past invitation styles, the Rick Owens invitation had a graphic front...
...which, upon closer inspection, revealed the show information discreetly debossed on the card
'Lord Arthur Savile's Crime' was the enigmatic message on the front of the Dries Van Noten invitation
The back revealed nothing more than the show's information
You would be forgiven for thinking this was just another letter in the post...
...however, once opened the contents revealed the Virdi-anne show details displayed on various bits of 'aging' paper
Adam Kimmel's quirky invitation in the form of a press badge
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Jack Moss is the Fashion Features Editor at Wallpaper*, joining the team in 2022. Having previously been the digital features editor at AnOther and digital editor at 10 and 10 Men magazines, he has also contributed to titles including i-D, Dazed, 10 Magazine, Mr Porter’s The Journal and more, while also featuring in Dazed: 32 Years Confused: The Covers, published by Rizzoli. He is particularly interested in the moments when fashion intersects with other creative disciplines – notably art and design – as well as championing a new generation of international talent and reporting from international fashion weeks. Across his career, he has interviewed the fashion industry’s leading figures, including Rick Owens, Pieter Mulier, Jonathan Anderson, Grace Wales Bonner, Christian Lacroix, Kate Moss and Manolo Blahnik.
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