RCA students take over Fendi's new London store

Fendi has officially moved into its new Peter Marino-designed store in London's Sloane Street. On display next to Karl Lagerfeld's furs and fashion, and Silvia Venturini Fendi's bags, shoes and leather accessories, are works of lesser-known, and rather more local talent: students from the Royal College of Art's Design Products course, who have been given a very open brief by the Rome-based fashion house to do something 'spectacular' with its Selleria line - and that something turns out to be part-performance and part-product.
In Sloane Street, both shop windows have been given over to the students, who were guided by Simon Hasan, one of the original designers handpicked to take part in Fendi's spectacular Craft Punk project back in 2009 (see W*122). Hasan, whose work is now a regular fixture at Fendi stores, was special project tutor at the Royal College of Art (RCA) for this new Fendi exhibition in London, as well as being one of its alumni.
The displays range from large installations like Lola Lely's 'Kinetic Frenetic' low tech/hi-tech machine and Meret Probst's 'Starting With a Blank Canvas' work, to smaller-scale works, such as 'Anatomy of Fendi', a project in three parts that takes on an almost forensic approach in its application.
To find out more about Fendi's collaboration with the RCA students, you will have to turn to our October issue (out now). Here, however, we take you on a tour of the new store and give you a closer look at the students' work.
Lola Lely's aptly named 'Kinetic Frenetic', a low tech/hi-tech machine that spins one long ribbon of Fendi Selleria leather, coated in a vinyl skin with a multicoloured Futurist pattern
Charlotte Kingsnorth's 'Blown Leather Portals', glass vessels with a leathery skin that conceal Fendi products
A collection of 'Blown Leather Portals' displayed on shelves in the Fendi store
Dafi Reis Doron's 'Craft-Tech', a series of CNC-cut stools made of layers of wood veneer and leather
Part of the 'Anatomy of Fendi' project, for which Nicholas Wallenberg and Helena Karelson have boiled down Fendi Selleria's colourful skins to produce a pigment to colour flowers displayed on a large table
The results of Nicholas Wallenberg and Helena Karelson's project spell the letter 'F'
Samuel Weller and Imme van der Haak have deconstructed Fendi Selleria bags to form creatures encased in taxidermy jars
Petter Thorne has experimented with various metals to produce these table-top pieces, displayed throughout the shop
The Royal College of Art students' special project tutor Simon Hasan, one of the original Craft Punkers, is now a regular fixture at Fendi stores, crafting his boiled leather vases live for the 'Fatto a Mano' programme. Pictured here are his geometric dummies
Kicking off our showcase of past work by the RCA student collaborators is the 'Hybreed Chair' by Charlotte Kingsnorth. Part of the Hybreed range of chairs, which have evolved from bringing together old furniture frames and fleshy biomorphic forms, each curvaceous creature has been sculpted into a unique character depending on the frame it envelops
'Kontuur Window Blind' by Helena Karelson is based on a modern interpretation of traditional Venetian blinds. Instead of straight slats, the Kontuur blind slats are contoured, providing a decorative three dimensional effect and an unusual filtering of light
'100% Fruit & Vegetables' by Imme van der Haak is a playful comment on the way we buy ‘fresh' fruit and vegetables from high street supermarkets
Imme van der Haak's jewellery collection is based on changing forms and silhouette transformations
'bs_sw' by Meret Probst is a set of stackable tableware made from porcelain, glass and hardwood, which enables diners to create their own mini sculptures
Nicholas Wallenberg's 'Book shop', 2010, was designed for London's St Martin's Lane Hotel
'More Table' Petter Thorne uses plastic cast in cracked wood to create the illusion of furniture parts floating in mid-air
'Brick-Slip-Cast' is Sam Weller's proposal of an alternative London souvenir. Says Weller: 'It is the antithesis of the traditional cheap and kitsch products that adorn London's tourist honey pots. The understated brick distills everything an attested souvenir or "memory" should exemplify - durability, honesty and practicality'
Sam Weller's 'Public Resonance' project, inspired by the busking community, allows a performer to directly connect with an audience. By utilising the natural resonance of everyday objects like street furniture, existing architecture or even public transport, various vibrations are both created and amplified by this portable percussive tool kit
'Cool Bar' by Dafi Reis Doron integrates an outdoor drinks bar with a self-contained cooler. The top portion can be collapsed down to seal the lower portion, preserving the cold temperature of the drinks when not in use
Inspired by the world of cardboard and paper folding, Dafi Reis Doron's 'Envelope Box' is a series of boxes designed to be structurally strong
'Portion of a Bench' by Dafi Reis Doron has been designed to accommodate different alternating positions
'Portion of a Bench' by Dafi Reis Doron
'Golden Time Cupboard' by Lola Lely challenges the traditional notion of ownership in the classroom, reducing the perceived gap between pupil and teacher. Nine storage boxes hold different toys and games to be distributed at ‘Golden Time'. These boxes give the pupils the possibility of excercising their power of choice, accrued by good behaviour throughout the day
Lola Lely's 'Little Blue Creatures' is a collection of lights designed for children, made from hand formed thermoplastic
ADDRESS
Fendi
181-182 Sloane Street
SW1X 9QP
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Also known as Picky Nicky, Nick Vinson has contributed to Wallpaper* Magazine for the past 21 years. He runs Vinson&Co, a London-based bureau specialising in creative direction and interiors for the luxury goods industry. As both an expert and fan of Made in Italy, he divides his time between London and Florence and has decades of experience in the industry as a critic, curator and editor.
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