S/S 2011 Menswear Collections, Paris: grooming trends
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Dior Homme: Designer Kris Van Assche’s futuristic vision of the Dior man called for flawless skin, courtesy of make-up artist Aaron de Mey
Dior Homme: In contrast to the billowing silhouettes on the runway, the sophisticated, minimalist look was even more effective
Dries Van Noten: To complement the idiosyncratic references to 1970s street culture showcased on Dries Van Noten’s runway, hairstylist Paul Hanlon looked to London ska boys and skinheads for inspiration
Dries Van Noten: Hair was polished yet tough, thanks to rounded fringes sweeping severely across the forehead
Dries Van Noten: The overall look was youthful with a hint of European elegance
Viktor & Rolf: Viktor & Rolf’s Spring 2011 collection loosely referenced Hollywood stars from the 1940s holidaying in Biarritz
Viktor & Rolf: Heavily textured hair still managed to look polished, thanks to the stylings of hairstylist, Christoph Hasenbein
Viktor & Rolf: Make-up artist Victor Alvarez gave models lightly bronzed skin, recalling Hollywood’s glory days
Dunhill: Using Bumble & Bumble products, hairstylist James Rowe conjured up a smart style that’s far from rigid to represent the new relaxed Dunhill man
Dunhill: Make-up maestro Peter Phillips gave models a natural, healthy look that’s fresh from walking in the countryside
Dunhill: The overall look complements designer Kim Jones’ inspiration: Roger Fry and the artsy Bloomsbury set
John Galliano: Always one to put on a show, John Galliano’s version of Charlie Chaplin could not have been more on the money
John Galliano: The conventional film noir look is brought into the 21st century, thanks to rumpled hair, smoky eyes and gleaming skin
John Galliano: Wet-look curls make a comeback for Spring 2011
Jean Paul Gaultier: Backstage, the team helmed by make-up artist Carole Colambani and hairstylist Delphine Corteille kept photographs of YSL to hand as references
Jean Paul Gaultier: No prizes for guessing whom Gaultier reincarnated this season - Yves Saint Laurent in Marrakech circa 1970
Jean Paul Gaultier: Textured hair was key, some models wore glossy, tousled locks, while others worked a more edgy, natural look to match Gaultier’s Moroccan inspiration
Givenchy by Riccardo Tisci: To match Riccardo Tisci’s black and white exploration of lust and piety, faces were given an ethereal touch of pink on the eyes and lips
Givenchy by Riccardo Tisci: Models were a perfect picture of austerity
Givenchy by Riccardo Tisci: Hair was close-cropped or scraped back
Hermes: The Spring 2011 Hermes man was the epitome of modern luxury
Hermes: A little light grooming was all that was needed to underscore the collection’s quiet elegance
Hermes: Tousled, feathery manes gave models a relaxed, Mediterranean vibe
Kris Van Assche: It was all about getting down and dirty at Kris Van Assche, whose workwear-influenced collection inspired this rebellious look
Kris Van Assche: … while hair was tousled with pin-up worthy nonchalance
Kris Van Assche: … while hair was tousled with pin-up worthy nonchalance
Lanvin: Lanvin models worked edgy, windswept hair to coincide with the collection’s energetic feel
Lanvin: Skin was kept light and ethereal to further emphasise the sense of movement
Lanvin: Mirroring the textural, unfinished quality of the clothing, the look was sophisticated, yet not too polished
Paul Smith: Paul Smith traded in his signature Sixties’ Mod for dirtier,1970s rock this season
Paul Smith: Models were reincarnated as rock and rollers, with a modern twist
Paul Smith: Hair was voluminous and slightly shiny for an authentic, grungy feel
Raf Simons: Paul Hanlon worked his hair magic once more, giving models’ mops an innocent, easy texture
Raf Simons: Fresh, luminous skin was the perfect foil to Simons’ predominantly white collection
Raf Simons: No one does avant-garde like Raf Simons, his collections are never contrived
Rick Owens: Androgyny was the order of day at Rick Owens
Rick Owens: Models were imbued with a post-apocalyptic austerity and serenity
Rick Owens: Hair by Luigi, make-up by Aaron de Mey
Louis Vuitton: At Louis Vuitton, a new take on the global traveller resulted in this glamorous, slicked back ruffled coif by hairstylist Shon
Louis Vuitton: Make-up artist Sil Bruinsma gave models’ skin a glow with a hint of colour
Louis Vuitton: Marc Jacobs’ personal tattoo artist, Scott Campbell, turned classic LV prints and animals from the Chinese zodiac into intricate bodyart
Walter Van Bierendonck: In contrast to his playful collection, complete with frills and ruffles, Walter Van Bierendonck’s models were kept looking as natural as possible
Walter Van Bierendonck: Models were the epitome of masculinity, sporting freshly shorn hair
Walter Van Bierendonck: The designer’s fearless approach has won him numerous fans, including Rei Kawakubo
Yves Saint Laurent: Stefano Pilati also paid tribute to the 1970s vision of Yves Saint Laurent, opting for a pared back, yet sophisticated take on the icon
Yves Saint Laurent: The pale complexions worked well with the relaxed, androgynous silhouettes that went down the runway
Yves Saint Laurent: Make-up by Carole Colambani, hair by Delphine Corteille
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Jack Moss is the Fashion Features Editor at Wallpaper*, joining the team in 2022. Having previously been the digital features editor at AnOther and digital editor at 10 and 10 Men magazines, he has also contributed to titles including i-D, Dazed, 10 Magazine, Mr Porter’s The Journal and more, while also featuring in Dazed: 32 Years Confused: The Covers, published by Rizzoli. He is particularly interested in the moments when fashion intersects with other creative disciplines – notably art and design – as well as championing a new generation of international talent and reporting from international fashion weeks. Across his career, he has interviewed the fashion industry’s leading figures, including Rick Owens, Pieter Mulier, Jonathan Anderson, Grace Wales Bonner, Christian Lacroix, Kate Moss and Manolo Blahnik.
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