DS3 Crossback brings design depth to the masses
As we’ve noted before, DS is Citroën’s upscale, design-driven brand, a standalone company that nevertheless shares engineering with its venerable parent but attempts to distill the quirky visual sense and strong characters of the great Citroëns of the past.
The new DS3 Crossback will be its biggest-selling model, an upscale compact crossover that comes in regular and electric flavours, cramming in plenty of aesthetic kinks to sate the desires of those looking for something different. One of the sad realities of modern mass-produced cars are that differences are pretty thin on the ground, with brands spreading the shallow application of identity across a plethora of shared platforms. DS aims to bring depth of design to the lower reaches of the market, believing that some people will always pay more to be out of the ordinary.
The DS3 Crossback joins its larger sibling, the DS7 Crossback and sits above the original DS3, the car that began life as Citroën but was so successful it drove the separation into two separate companies. Other markets get more DS models – China for example has a DS4, DS5 and DS6. The original DS3 is now rather long in the tooth, and in any case, hatchbacks are being supplanted by compact crossovers like the Crossback. Aimed squarely at popular cars like the Audi A2 and VW T-Cross, the Crossback is similarly pumped up but modestly scaled.
Outside, the new car has a tough, determined stance, with a rear three quarter view that’s chunky and bold. The garish front grille lets the side down a little; as a brand, DS is slightly trapped between the need to make a bold statement and the desire to be defiantly different. There are too many cars out there with vast grilles, acres of unnecessary brightwork and baroque light clusters; perhaps the coming fleet of all-electric cars will simplify things somewhat (although a pure electric DS3 Crossback E-Tense is waiting in the wings it is visually identical to the ICE version).
Inside is where the Crossback really stands out. It’s hard to say it ‘shines’, for this is a dark, moody cabin, with pre-patinated leather, black trim and angular stylings. It is certainly different, even somewhat eccentric and while the functionality isn’t 100 per cent intuitive, that is the price you’ll pay for going against the mainstream. The DS3 is modestly entertaining to drive, lacking slightly in zip and character, but the small size is good for urban spaces, and the full quota of cameras makes manoeuvring easy.
Ironically, perhaps, the Crossback is being slightly usurped by the sales success of Citroën’s own C3 Aircross, a stubby compact SUV that continues the parent brand’s design renaissance, an area when it is arguably outshining its new sub-brand. The only question that remains is whether DS should continue to insist on standing alone, when its achievements and approach make more sense as part of the ongoing Citroën story.
INFORMATION
DS3 Crossback, from £21,550. dsautomobiles.co.uk
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Jonathan Bell has written for Wallpaper* magazine since 1999, covering everything from architecture and transport design to books, tech and graphic design. He is now the magazine’s Transport and Technology Editor. Jonathan has written and edited 15 books, including Concept Car Design, 21st Century House, and The New Modern House. He is also the host of Wallpaper’s first podcast.
-
Jaguar reveals its new graphic identity ahead of a long-awaited total brand reboot
Jaguar’s new ethos is Exuberant Modernism, encapsulated by a new visual language that draws on fine art, fashion and architecture
By Jonathan Bell Published
-
Olfactory Art Keller: the New York gallery exhibiting the smell of vintage perfume, blossoming lilacs and last night’s shame
Olfactory Art Keller is a Manhattan-based gallery space dedicated to exhibiting scent as art. Founder Dr Andreas Keller speaks with Lara Johnson-Wheeler about the project, which doesn’t shy away from the ‘unpleasant’
By Lara Johnson-Wheeler Published
-
Explore a barn conversion with a difference on the Isle of Wight
Gianni Botsford Architects' barn conversion transforms two old farm buildings into an atmospheric residence and artistic retreat, The Old Byre
By Jonathan Bell Published
-
SM Tribute by DS Automobiles marks ten years of the brand and signals bold things to come
This spectacular concept car pays homage to one of the most iconic Citroën designs of all time, the 1970 SM by Robert Opron
By Jonathan Bell Published
-
Carrosserie Caselani’s Fourgonnette is a retro van for bold businesses
This updated Fourgonnette, inspired by the legendary Citroën 2CV, cloaks a conventional Citroën commercial vehicle in a stylish retro skin
By Jonathan Bell Published
-
Coming soon: a curated collection of all the new EVs and hybrids that matter
We've rounded up new and updated offerings from Audi, Porsche, Ineos, Mini and more to keep tabs on the shifting sands of the mainstream car market
By Jonathan Bell Published
-
Microcar madness: three new ultra-compact electric city cars
These two-seater electric microcars are the ultimate errand machines, designed for short hops and small spaces, all with a minimal footprint
By Jonathan Bell Published
-
24 transportation design innovations for 2024
From electric cars to new airports and sports boats, here’s a non-exhaustive list of 24 of the most interesting transportation design innovations to expect in the coming year
By Jonathan Bell Published
-
Four new compact camper vans showcase the best in modest mobile home design
Volkswagen, Citroën, Ford and Mercedes-Benz showcase their latest takes on contemporary van living
By Jonathan Bell Published
-
The DS 4 exemplifies mass-market luxury, cramming features and frivolity into an excellent all-rounder
DS Automobiles finds its form with the DS 4, a mid-range hybrid with a smart mix of driving refinement and design eccentricity
By Jonathan Bell Published
-
All hail the small scale: Wallpaper* takes a trip inside Citroën’s diminutive new Ami
The Citroën Ami is small but perfectly formed, albeit a little rough around the edges. For short city hops, it’s hard to beat
By Jonathan Bell Published