Thinking small: tracing Volkswagen's rebellious streak
It's hard to remember when car adverts were a treasury of wit, simplicity and concision. David Ogilvy's legendary penmanship for Rolls-Royce remains the gold standard of ad copy, but for sheer consistency of vision, snappy one liners and unambiguous graphics, the series of ads run by Volkswagen of North America, courtesy of the Manhattan agency Doyle Dane Bernbach (DDB).
The agency’s approach was radical in every way, eschewing slick airbrushed artwork in favour of starkly realistic studio photography. Copy sparkled with the simplicity of the message; that the VW was small and decidedly different. Straplines like ‘It makes your house look bigger’ went against the ‘big is better’ consumer psychology of the era, and the client gamely allowed its product to be shown plastered in graffiti, upside down, and in pieces, even behind a tow-truck (strapline: ‘a rare photo’).
Dominik Imseng has researched a spirited, fully illustrated history of this pivotal era in American advertising in Ugly Is Only Skin-Deep: The Story of the Ads that Changed the World, capturing Madison Avenue at its height, and the inevitable clash between commerce and culture. The Beetle’s inherent ironies – an affordable, truly democratic car beloved by the counter-culture, yet borne out of pure fascist intent – were forgotten, thanks to slick copy-writing and art direction. Marketing made it into an American icon.
The company’s advertising has since retained this streak of rebellion, with DDB continuing to run VW’s campaigns with a dose of verve and ingenuity still missing from an increasingly conservative marketplace. Even so, the recent ‘dieselgate’ scandal has given the industry behemoth a new sense of purpose and yet another chance to reinvent itself.
Small isn’t on the menu just yet, at least not in North America. Volkswagen recently announced the Atlas, a vast SUV aimed at a US market that seems to have grown more and more allergic to both self-deprecatory wit and small cars as the decades have worn on. Whether the Atlas could ever be sold in such a way remains to be seen (deliveries don’t start until next spring), but whatever its reception, the big machine is about as ideologically opposed to the original Beetle as one could possibly find.
INFORMATION
Ugly Is Only Skin-Deep: The Story of the Ads that Changed the World, £13.99. For more information, visit the website
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Jonathan Bell has written for Wallpaper* magazine since 1999, covering everything from architecture and transport design to books, tech and graphic design. He is now the magazine’s Transport and Technology Editor. Jonathan has written and edited 15 books, including Concept Car Design, 21st Century House, and The New Modern House. He is also the host of Wallpaper’s first podcast.
-
Yves Béhar gives striking shape and form to this new hybrid-electric catamaran concept
Solsea is a concept catamaran from Italian shipyard Rossinavi, blending zero emission cruising with design by Yves Béhar
By Jonathan Bell Published
-
La Vie en Rose: can the Jaguar Type 00 reset the narrative surrounding the brand’s reinvention?
This is the Jaguar Type 00, the first physical manifestation of the reborn brand’s new commitment to ‘Exuberant Modernism’. We take it for a semiotic spin
By Jonathan Bell Published
-
The RIBA House of the Year 2024 winner is a delightful work-in-progress
The winner of the RIBA House of the Year 2024 is Six Columns in South London - the home of architect and 31/44 studio co-founder William Burges
By Ellie Stathaki Published
-
The Volkswagen Passat is a sober, straight edged estate car that feels increasingly out of time
Why would anyone pass on a Passat? Volkswagen’s big load lugger proves that the old ideas are still the best
By Jonathan Bell Published
-
Volkswagen celebrates 50 years of the Golf, its most famous modern model, with a flight of fancy
Wallpaper* travelled to eastern Turkey in search of the perfect backdrop to mark 50 years and eight generations of the evergreen VW Golf
By Adam Hay-Nicholls Published
-
Two new books celebrate the art of automotive photography from very different angles
‘Macchina’ collates photographer Jon Nicholson’s portfolio of modern motorsport imagery, while ‘Automotive Type D’ is INK studio’s fourth volume of car-focused creative briefs
By Jonathan Bell Published
-
We sample the world’s first all-electric DeLorean, a stainless steel marvel for the modern age
Electrogenic brings its brilliance with batteries and motors to bear on the iconic DeLorean DMC-12, giving this classic design the futuristic feel it deserves
By Jonathan Bell Published
-
Bentley rolls out the latest version of its majestic grand tourer, the Continental GT Speed
Available as both coupé and convertible, the fourth generation Bentley Continental GT Speed harnesses hybrid power to become a record breaker for the brand
By Jonathan Bell Published
-
Fiat Grande Panda first look: will retro-seeking lightning strike twice?
This is the new Fiat Grande Panda, a compact hybrid and electric car that brings delightful design back to a well-loved model
By Jonathan Bell Published
-
New Volkswagen California is a hybridised camper van that has it all
The Volkswagen New California camper van is here, the latest update to VW’s evergreen classic, bringing a larger platform, more flexibility and hybrid power for the first time
By Jonathan Bell Published
-
Spectacular stations: a new book puts railway architecture back on the agenda
‘Station’ takes us through the very best railway architecture of the past 120 years, a sound case for putting more effort into this most civilised forms of transport
By Jonathan Bell Published