Montreal’s Le Hideout nail bar polishes-up unconventional materials

Tighter budgets require imaginative design thinking, and Le Hideout beauty bar in Montreal, is a neat example of when innovation wins. Think raw concrete floor, sculpturally formed MDF, and Ikea sinks used as footbaths.
In the vivid cultural hub of Griffintown, one-year-old studio Ménard Dworkind Architecture & Design (MRDK) made sure that the end belies the means, by investing in materials strategically, and agilely manoeuvring the 650 sq ft space. Becoming known for its attention to detail, and ability to work closely to a tricky brief, MRDK forged Le Hideout in an awkwardly geometric, commercial space at the base of one of the many condo buildings rising in this rapidly evolving part of town.
The design centres around an immovable concrete column that MRDK covered in a computer-cut floral form that grows up and onto the ceiling – not wildly dissimilar in principle to the one designed by Snøhetta in Aesop's Sloane Square London boutique, which opened last year. This structure doubles as a nail polish display, mirror-mount, and useful storage, in the otherwise fairly stripped-back space.
RELATED STORY
The pedicure station consists of the aforementioned IKEA sinks and reasonably priced Structube chairs taken off their legs, and installed on a tiled plinth at the front of the store. A rare but savvy expense, durable (tough as nails) Douglas fir lines the walls, and will last a lifetime, wrapping the room in a warming hue. In an act of economic balance, the concrete is left exposed and untouched throughout in an effective – and efficient – move. Original construction marks double as an abstract flooring pattern – found artwork, that appears new and deliberate.
Design flourishes continue at the reception, where a steel countertop folds over the front of the cabinetry, subtly recalling a painted nail, a fun addition that neatly manages to sidestep gimmick. In all, Le Hideout is a well-thought-out beauty spot, with enough eye-catching aspects to last the length of any mani-pedi.
INFORMATION
For more information, visit Ménard Dworkind Architecture & Design's website
ADDRESS
168 Ann St,
Montreal, Canada
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Elly Parsons is the Digital Editor of Wallpaper*, where she oversees Wallpaper.com and its social platforms. She has been with the brand since 2015 in various roles, spending time as digital writer – specialising in art, technology and contemporary culture – and as deputy digital editor. She was shortlisted for a PPA Award in 2017, has written extensively for many publications, and has contributed to three books. She is a guest lecturer in digital journalism at Goldsmiths University, London, where she also holds a masters degree in creative writing. Now, her main areas of expertise include content strategy, audience engagement, and social media.
-
The creative mind at work: a century of storyboarding at Fondazione Prada
Fondazione Prada’s 'Osservatorio, A Kind of Language: Storyboards and Other Renderings' features some of the most celebrated names in cinema working from the late 1920s up to 2024
By Mary Cleary Published
-
A new concept superyacht unfurls, courtesy of Vripack and Oceanco
Explore Project Lily, a concept superyacht for a new generation of moneyed enthusiasts looking to push the envelope of nautical design
By Jonathan Bell Published
-
Goldwin 0’s latest collection draws on the landscapes of Oregon, the home state of design director Nur Abbas
Marking a new chapter for the experimental offshoot of Japanese outdoorwear label Goldwin, Nur Abbas‘ S/S 2025 Goldwin 0 collection draws inspiration from his home state of Oregon, captured in a new photo series released today (21 February 2025)
By Jack Moss Published