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In ‘The Last Showgirl’, nostalgia is a drug like any other
Gia Coppola takes us to Las Vegas after the party has ended in new film starring Pamela Anderson, The Last Showgirl
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The story behind Pamela Anderson’s dazzling costumes in ‘The Last Showgirl’
‘The Last Showgirl’ costume designer Jacqueline Getty unpacks Pamela Anderson’s outfits in the Gia Coppola-directed movie, which are rooted in the glittering history of the Las Vegas revue
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How Four Seasons Hotels became The White Lotus’ unofficial star
As The White Lotus season three whisks us to Thailand, Marc Speichert, chief commercial officer of Four Seasons Hotels, discusses the luxury group’s perfect synergy with the hit HBO series – and where you can live the experience
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‘Life is strange and life is funny’: a new film goes inside the world of Martin Parr
‘I Am Martin Parr’, directed by Lee Shulman, makes the much-loved photographer the subject
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Joanna Hogg on her new film for Miu Miu and a lifelong relationship with style: ‘What we wear is very revealing’
Casting Miu Miu’s ‘Wander’ handbag in the starring role, director Joanna Hogg’s new short film is the latest chapter of the house’s Women’s Tales series. Ahead of its premiere, Simon Chilvers sits down with Hogg to find out more
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The Chemical Brothers’ Tom Rowlands on creating an electronic score for historical drama, Mussolini
Tom Rowlands has composed ‘The Way Violence Should Be’ for Sky’s eight-part, Italian-language Mussolini: Son of the Century
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Meet Daniel Blumberg, the British indie rock veteran who created The Brutalist’s score
Oscar-nominated and BAFTA-winning Blumberg has created an epic score for Brady Corbet’s film The Brutalist.
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‘Just beneath the surface there’s another world’: How David Lynch used hair and make-up to create his singular universe
From Blue Velvet and Mulholland Drive to Twin Peaks, David Lynch used hair and make-up in his films as a narrative device, writes Laura Havlin
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Sundance Film Festival 2025: The films we can't wait to watch
Sundance Film Festival, which runs 23 January - 2 February, has long been considered a hub of cinematic innovation. These are the ones to watch from this year’s premieres
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Architecture and the new world: The Brutalist reframes the American dream
Brady Corbet’s third feature film, The Brutalist, demonstrates how violence is a building block for ideology
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2024's most visually-arresting films
The best films of the year merged inventive narratives with transportive visuals. Here are Wallpaper's top 10 of 2024.
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The making of ‘Queer’: Daniel Craig and Luca Guadagnino in conversation
As the reimagining of William Burroughs’ book, 'Queer', hits cinemas, Wallpaper* speaks to director Luca Guadagnino, screenwriter Justin Kuritzkes and star, Daniel Craig about bringing the text to life
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Is it really possible to stage a Shakespeare play inside the game Grand Theft Auto?
Grand Theft Hamlet, a documentary debut written and directed by Pinny Grylls and Sam Crane, is about two out-of-work actors attempting to mount a full production of William Shakespeare’s Hamlet, inside the violent world of Grand Theft Auto, shot entirely in game
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‘It creates mental horrors’ – why The Thing game remains so chilling
Wallpaper* speaks to two of the developers behind 2002’s cult classic The Thing video game, who hope the release of a remastered version can terrify a new generation of gamers
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Agnès Varda, Luca Guadagnino and Wim Wenders: why Aesop’s love affair with cinema is more than skin-deep
Aesop’s new 2024 Christmas campaign celebrates its long love affair with cinema. Laura Havlin speaks with the brand’s director of global retail design Marianne Lardilleux to discover why film is inherent to its DNA
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The Contestant: inside the dark and exploitative beginnings of reality TV
Clair Titley’s The Contestant examines a sensationalist moment in TV history, before Big Brother meant reality became an accepted part of popular culture
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Sunshine noir is given an unsettling spin in new film ‘Skincare’; meet the director
Best known for music videos, director and writer of ‘Skincare’ Austin Peters on how he created the film’s bright, ominous world
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With Bird, Andrea Arnold has created a whole new style of cinema
The director’s latest masterpiece has confounded critics, but only she could have created a social magical realist film that soars so high above dogmatic thinking
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Wu Tsang reinterprets Carmen's story in Barcelona
Wu Tsang rethinks Carmen with an opera-theatre hybrid show and a film installation, recently premiered at MACBA in Barcelona (until 3 November)
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Miu Miu’s Women’s Tales film series comes to life for Art Basel Paris
In ‘Tales & Tellers’, interdisciplinary artist Goshka Macuga brings Miu Miu’s Women’s Tales film series for Art Basel Paris to life for the public programme
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Don't miss these films at the BFI London Film Festival 2024
The BFI has announced the lineup for their 68th festival, and it's a stellar one
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Brutalism in film: the beautiful house that forms the backdrop to The Room Next Door
The Room Next Door's production designer discusses mood-boarding and scene-setting for a moving film about friendship, fragility and the final curtain
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Jobbing actors and the anxious young man: 'In Camera' on the unrelenting nature of acting
Director, Naqqash Khalid’s debut feature, 'In Camera,' explores identity politics through the lens of acting
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Feel like a movie? The top 50 films of all time according to Marcio Kogan
Marcio Kogan's top 50 films of all time; the architect taps into his passion for the moving image and shares with us his recommendations
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How Amy Sall is highlighting the beauty of African cinema
Amy Sall is highlighting the cultural impact of African filmmakers with ‘The African Gaze: Photography, Cinema and Power’, published by Thames & Hudson
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The Substance may be grotesque, but it is not body horror
The Substance, Coralie Fargeat's sophomore feature film, has already been granted the moniker body horror, due its visceral imagery and mutations of the body
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How guest editor Marcio Kogan, during a visit to the movies, ‘discovered that something else exists in the world, real poetry’
Marcio Kogan is a guest editor of Wallpaper* October 2024. In his dedicated section, we discover how the world of cinema’s loss was architecture’s gain when a feature film failed but a dream space creator rose from the ashes
