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The making of ‘Queer’: Daniel Craig and Luca Guadagnino in conversation
As the reimagining of William Burroughs’ book, 'Queer', hits cinemas, Wallpaper* speaks to director Luca Guadagnino, screenwriter Justin Kuritzkes and star, Daniel Craig about bringing the text to life
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Is it really possible to stage a Shakespeare play inside the game Grand Theft Auto?
Grand Theft Hamlet, a documentary debut written and directed by Pinny Grylls and Sam Crane, is about two out-of-work actors attempting to mount a full production of William Shakespeare’s Hamlet, inside the violent world of Grand Theft Auto, shot entirely in game
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‘It creates mental horrors’ – why The Thing game remains so chilling
Wallpaper* speaks to two of the developers behind 2002’s cult classic The Thing video game, who hope the release of a remastered version can terrify a new generation of gamers
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Agnès Varda, Luca Guadagnino and Wim Wenders: why Aesop’s love affair with cinema is more than skin-deep
Aesop’s new 2024 Christmas campaign celebrates its long love affair with cinema. Laura Havlin speaks with the brand’s director of global retail design Marianne Lardilleux to discover why film is inherent to its DNA
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The Contestant: inside the dark and exploitative beginnings of reality TV
Clair Titley’s The Contestant examines a sensationalist moment in TV history, before Big Brother meant reality became an accepted part of popular culture
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Sunshine noir is given an unsettling spin in new film ‘Skincare’; meet the director
Best known for music videos, director and writer of ‘Skincare’ Austin Peters on how he created the film’s bright, ominous world
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With Bird, Andrea Arnold has created a whole new style of cinema
The director’s latest masterpiece has confounded critics, but only she could have created a social magical realist film that soars so high above dogmatic thinking
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The Substance: how Pierre-Olivier Persin transformed Demi Moore and Margaret Qualley with prosthetic make-up design
The Substance, directed by Coralie Fargeat and starring Demi Moore and Margaret Qualley, is now available to stream on Mubi. Wallpaper* speaks with Pierre-Olivier Persin, the special make-up effects designer, about his work on the film
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Hyper realistic animatronic dolls come to life in Diego Marcon's new film
Spectacle meets surrealism in Diego Marcon’s latest film, 'La Gola'
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Miu Miu’s Women’s Tales film series comes to life for Art Basel Paris
In ‘Tales & Tellers’, interdisciplinary artist Goshka Macuga brings Miu Miu’s Women’s Tales film series for Art Basel Paris to life for the public programme
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Don't miss these films at the BFI London Film Festival 2024
The BFI has announced the lineup for their 68th festival, and it's a stellar one
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Brutalism in film: the beautiful house that forms the backdrop to The Room Next Door
The Room Next Door's production designer discusses mood-boarding and scene-setting for a moving film about friendship, fragility and the final curtain
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Jobbing actors and the anxious young man: 'In Camera' on the unrelenting nature of acting
Director, Naqqash Khalid’s debut feature, 'In Camera,' explores identity politics through the lens of acting
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Feel like a movie? The top 50 films of all time according to Marcio Kogan
Marcio Kogan's top 50 films of all time; the architect taps into his passion for the moving image and shares with us his recommendations
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How Amy Sall is highlighting the beauty of African cinema
Amy Sall is highlighting the cultural impact of African filmmakers with ‘The African Gaze: Photography, Cinema and Power’, published by Thames & Hudson
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The Substance may be grotesque, but it is not body horror
The Substance, Coralie Fargeat's sophomore feature film, has already been granted the moniker body horror, due its visceral imagery and mutations of the body
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How guest editor Marcio Kogan, during a visit to the movies, ‘discovered that something else exists in the world, real poetry’
Marcio Kogan is a guest editor of Wallpaper* October 2024. In his dedicated section, we discover how the world of cinema’s loss was architecture’s gain when a feature film failed but a dream space creator rose from the ashes
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New film, Hollywoodgate, finds out what really happened when the US left Afghanistan
Filmmaker Ibrahim Nash’at’s Hollywoodgate follows Taliban soldier MJ Mukhtar and air force commander Mawlawi Mansour in the aftermath of America’s withdrawal in August 2021
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First Fraenkel Film Festival in San Francisco: what to see
The Fraenkel Film Festival, at the Roxie Theater in San Francisco, sees ten Fraenkel gallery artists choose films that impact their work
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Paul B. Preciado on his Orlando film: 'There is no trans question'
Paul B. Preciado interprets Virginia Woolf’s work in 'Orlando, My Political Biography'
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How the architecture in 'Kinds of Kindness' supports a 'vibrant version of Yorgos Lanthimos’ universe'
In 'Kinds of Kindness,' Yorgos Lanthimos' new film, opening in the UK this week, architecture shines through and becomes an important co-protagonist
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Lucha Libre and modernist architecture meet in Mexican short film ‘El Luchador’
‘El Luchador’ blends Lucha Libre and architecture, in a Mexican short film set in Agustín Hernández Navarro's modernist home Casa Praxis in Mexico City
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Nan Goldin takes over London’s Welsh Chapel with a provocative new film
Nan Goldin’s ‘Sisters, Saints, Sibyls’ – at The Welsh Chapel, London until 23 June 2024 as part of Gagosian Open – is not an easy watch
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Enter the immersive world of film noir at a disused hospital in Venice
Fondazione In Between Art Film returns to Venice with ‘Nebula’, by curators Alessandro Rabottini and Leonardo Bigazzi
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Cannes Film Festival 2024 highlights: our verdict is in
What to watch or not to watch – cut to the Cannes Film Festival 2024 highlights
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Watch Timothée Chalamet find himself in Martin Scorsese’s Bleu de Chanel campaign film
Timothée Chalamet makes his Bleu de Chanel campaign debut, in the highly anticipated short film directed by Martin Scorsese
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Cyber-noia, pornography, and liberation: inside the queer sci-fi of Shu Lea Cheang
Shu Lea Cheang's new film, ‘UKI’, exists in two worlds simultaneously: the real world of flesh and blood, and a strange digital landscape
