Pierre Charpin
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House proud: a colourful retrospective celebrates 20 years of Pierre Charpin's designs
By Léa Teuscher Last updated
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Pierre Charpin's purist 'Ignotus Nomen' collection takes a philosophical bent
By Ellen Himelfarb Last updated
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Virtually experience the shapes and colours of Pierre Charpin
Take a digital 3D tour of Pierre Charpin’s show ‘Similitude(s)’ at Paris’ Galerie Kreo that explores colour and geometry
By Ali Morris Last updated
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French fancy: Galerie Kreo brings its wares to FOG Design+Art
By Michael Slenske Last updated
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Prints by Ronan & Erwan Bouroullec and Pierre Charpin for The Wrong Shop
By Pei-Ru Keh Last updated
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Saint-Louis and Pierre Charpin make crystal for everyday use
‘Cadence’ by Saint-Louis and designer Pierre Charpin is a new 29-piece crystal collection designed for everyday use
By Mary Cleary Last updated
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17 designers and artists reinterpret Dior's ‘Medallion’ chair
The Dior ‘Medallion’ chair project marks the French maison's most significant presence at Milan’s Salone del Mobile to date
By Nick Vinson - Art Direction Last updated
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Future stars: up-and-coming designers rule the roost at Maison et Objet 2016
By Christopher Stocks Last updated
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Designer Pierre Charpin commandeers L'Appartement 50 in Marseille's Cité Radieuse
By Pei-Ru Keh Last updated
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Maison et Objet 2017: confetti & antique surfaces prevail at the Paris fair
By Emma Moore Last updated
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Wallpaper* Power 200: the world’s top design names and influencers
It’s back with a double helping of provocation and praise. We have plumped up this year’s Power List to a meaty two-ton’s worth of carefully measured rankings, an upscaled calibration of design achievement. As we strongly suspected, last year’s Power 100 caused a considerable stir and provoked strong words. And, as last month’s editor’s letter made clear, even alarming threats of revenge and recrimination. So this year, unchastened, we thought we would do it all again, but double the dose. To mark our 200th issue, the power 100 has become 200. Or rather 100+100 (normal disservice will be resumed next year). And, in a self-congratulatory nod to our keen eye for talent and perhaps the propulsive effect we have had on nascent design careers, we have trawled the Wallpaper* archives, retraced our expert truffling and recovered the debut appearances of future Power Listers. (Look out for long-lost hair, unlined faces and eyes undimmed).
By Rosa Bertoli Published