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LoveFrom, Serif: a modern interpretation of Baskerville created by Jony Ive’s LoveFrom
Jony Ive, Marc Newson and Peter Saville discuss LoveFrom, Serif, their elegant modernisation of one of the most influential and enduring of all early typefaces
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Typography relearns its ABC with a retro 1970s throwback
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Designers contribute typography to the ‘The changing faces of Bowie’ poster
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The drawn word: SFMoMA tracks the modern evolution of typography
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New North Press commissions a 3D-printed letterpress font, designed by A2-Type
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APFEL’s new digital foundry explores type as ‘readymade’
London-based graphic design studio A Practice for Everyday Life has launched the APFEL Type Foundry, through which it will publish a growing library of typefaces developed through visual, textual and experiential research
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Type hype: Ben Adams Architects design new office for Monotype
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Decorating Tate: branding specialists North refresh the museum’s identity
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Pencil to Pixel typography exhibition, New York
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Space out: a history of NASA’s graphic design
‘The Worm’ is a showcase of NASA's iconic logos – from the original 1974 manual, all the way to up to its eventual banishment in the early 1990s
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Hem’s new brand identity plays with architectural geometry and colour
The newly launched identity was created for Hem by London-based practice Made Thought with a specially developed typeface by Letters from Sweden
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Chiachi Chao’s typography blends Western and Eastern writing styles
Our Next Generation 2022 showcase shines a light on 22 outstanding graduates from around the globe, in seven creative fields. We profile Taiwanese type and graphic designer Chiachi Chao, a graduate of ECAL, Lausanne
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Cover to cover: Lettering Arts Centre displays Michael Harvey's iconic design
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Frozen motion: Philippe Apeloig makes his mark on porcelain
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True to type: master of print Alan Kitching displays 'A Life in Letterpress'
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Type cast: the story behind our custom Copan font by London studio Julia
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Fix up look sharp: Balmond Studio launches new brand identity
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Go underground: 100 years of Edward Johnston’s seminal London typeface
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Imprimerie du Marais and Ateliers Saint-Lazare renovate French industrial classic
French architecture studio Ateliers Saint-Lazare creates a new design-led home for Paris’ printing house, Imprimerie du Marais
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Playful typography: MAD looks back on the 1960s and 70s
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A marked legacy: Monotype looks back at the work of Eric Gill
Monotype is staging a week-long celebration of Eric Gill and his most legendary works. Gill started working on Gill Sans in 1927 and produced Joanna a few years later, in 1930; both fonts have been since adopted by Monotype, which has continuously been adapting them to contemporary typographic needs, from different alphabets to new currency symbols, as well as use on digital platforms.
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Johnston Sans: TfL toasts 100 years of signage during Clerkenwell Design Week
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The AIGA National Design Center in New York looks back on 100 years of typography
