-
Anne Imhof ‘Avatar II’ review: a psychological thriller to make you wince and wonder
German artist Anne Imhof’s ‘Avatar II’ exhibition at London’s Sprüth Magers is a compelling, uncanny probing of contemporary culture, reality and artifice
-
High concept: Keith Arnatt's 'Absence of the Artist' at Sprüth Magers
-
Speaking Garments is a new clothing label with an artful twist
-
Gary Hume keeps it in the family at Sprüth Magers’ newly revamped London gallery
-
Michail Pirgelis and David Ostrowski's visual affinities come into focus
-
Elemental living: Andrea Zittel displays her furniture art in Berlin
The latest of Andrea Zittel's investigations are now on show at the Sprüth Magers gallery in Berlin. In previous works, she kept things largely functional; for 'Parallel Planar Panels' though, she has created abstractions of functional spaces.
-
Art and architecture unite in new works by Cyprien Gaillard at London’s Sprueth Magers
-
Frieze London 2016 takes a nostalgic turn, as galleries look back to the Nineties
-
Frieze Art Fair London 2015: the Wallpaper* edit
-
Thomas Demand: artificiality, nature and Azzedine Alaïa
At Sprüth Magers London, German sculptor and photographer Thomas Demand explores the tensions between artificiality and nature, and steps inside the atelier of legendary Tunisian couturier Azzedine Alaïa
-
Design Awards 2016: Best New Gallery
-
Model man: Thomas Demand on ’Latent Forms’
Over the last few years, the artist Thomas Demand has bounced between Berlin and LA. For the last two years he has also bounced further along to Tokyo to spend time in the offices of the architects Kazuyo Sejima and Ryue Nishizawa, better known as SANAA. Demand watched Sanaa’s studio at work; more specifically, he took pictures of their architectural models, or thought processes, problem solving and utopian urges in paper and cardboard. Demand took pictures close up, creating strange abstracts; fragments of ideas of buildings that might never be. The results are currently on display at Sprüth Magers in London in a show titled 'Latent Forms'.
-
Photographers Bernd and Hilla Becher's iconic industrial scenes go on show at Sprüth Magers London
-
A bold social commentary since the 1970s, Barbara Kruger’s art is as incisive as ever
For our December 2010 Entertaining Issue (W*141), we sat down with American conceptual artist Barbara Kruger to discuss message-making, the art market, and her agitprop commentaries on gender, race, consumerism, identity and more
-
Barbara Kruger at Sprueth Magers, London
-
Cao Fei’s dystopian fantasies fuse art and technology
Chinese artist Cao Fei’s dystopian art tackles themes such as the automation of labour, hyper-capitalism and the effect of a global pandemic. Having just completed her first major solo show in Beijing, the prolific winner of the 2021 Deutsche Börse Photography Foundation Prize is going global, with her retro-futuristic take on contemporary life now the subject of exhibitions from Los Angeles to Rome, and a 20-page portfolio for Wallpaper*
-
Common scents: Pamela Rosenkranz’s latest exhibition is right on the nose
-
Sprüth Magers inaugurates its Los Angeles space with new work by John Baldessari
