Leica’s D-Lux 8 continues a long tradition of simple, streamlined point and shoot cameras
The long-running D-Lux series is Leica’s nod to ‘entry level’ technology. The latest D-Lux 8 updates the lens, body and software of this high-quality pocket camera
Leica’s star continues to rise in the digital era and cameras bearing the famous red dot logo have lost none of their lustre. The company has teamed up with smartphone makers to keep its optical expertise in the frame of a younger generation, whilst also fielding the occasional collaboration (2023’s Disney edition Q2, for example).
The core of the company’s camera business is still aimed at both working professionals and discerning luxury buyers. Professional equipment like the Leica Q3 full frame camera and the Leica SL3 sits at a premium price point.
The new D-Lux 8 is very different. As Leica’s ‘entry level camera’, it’s continuing a lineage that started back in 2003 with one of the company’s very first digital cameras, the D-LUX, a then cutting-edge Panasonic model re-skinned in aluminium. Over two decades, the D-Lux range has evolved into the perfect tool for those who find smartphone photography rather gauche.
The new camera’s fresh casing design aligns with the approach used on Leica’s other cameras, and there’s also a new user interface, drawn directly from Leica’s Q range. The 4/3” CMOS censor is paired with a fast Leica DC Vario-Summilux 10.9–34 f/1.7–2.8 ASPH. lens and there are simplified, easily accessible controls on the upper panel. The new camera comes with accessory range includes a grip, various straps and protectors and a selection of bags.
There are very few examples of digital technology that retains an analogue feel, but a Leica is one of them. Simple design, exceptional optics and a laser-guided focus on the art of image making ensure the Leica D-Lux 8 is an excellent pocketable choice for the peripatetic photographer.
Leica D-Lux 8, £1,450, available soon from Leica-Camera.com, @Leica_Camera
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Jonathan Bell has written for Wallpaper* magazine since 1999, covering everything from architecture and transport design to books, tech and graphic design. He is now the magazine’s Transport and Technology Editor. Jonathan has written and edited 15 books, including Concept Car Design, 21st Century House, and The New Modern House. He is also the host of Wallpaper’s first podcast.
-
Clocking on: the bedside analogue timepieces that won’t alarm your aesthetic
We track down the only tick-tocks that matter, nine traditional alarm clocks that tell the time with minimum fuss and maximum visual impact
By Jonathan Bell Published
-
Architecture, sculpture and materials: female Lithuanian artists are celebrated in Nîmes
The Carré d'Art in Nîmes, France, spotlights the work of Aleksandra Kasuba and Marija Olšauskaitė, as part of a nationwide celebration of Lithuanian culture
By Will Jennings Published
-
‘There is more work to be done in the garden’: Dries Van Noten on deciding to grow his burgeoning beauty line
For Dries Van Noten, 2024 has been a landmark year. After stepping down from fashion in June, the designer speaks to Wallpaper* about a new focus on nurturing the brand’s beauty line and spending more time in his beloved garden
By Hannah Tindle Published