Nothing Phone (2) doubles down on the brand’s minimalist, low-key aesthetic
Nothing Phone (2) is the alternative choice, a high-tech handset designed to wean you off digital distractions without compromising quality or function

Almost a year to the day, Nothing replaces its debut handset, the Nothing Phone (1) with – unsurprisingly – the Nothing Phone (2). We get hands-on with this evolution of the esoteric company’s latest device, noting its key features and the ways in which it diverges from the smartphone standard.
The Phone (1)’s big point of difference was its disavowal of shiny solid materials in favour of a transparent look that revealed the (artfully arranged) inner workings of the device. Phone (2) is more of the same: once you’ve torn into the plastic-free packaging (which also tells us that 53 of the phone’s parts are made from sustainable materials) and shunned the hollow unboxing ritual, you’re greeted with a ‘naked’ device, with layered elements delineated by Nothing’s ‘Glyph’ interface.
Nothing Phone (2): our hands-on review
The latter is a series of hieroglyphic-style lights that serve multiple functions in the Nothing OS 2.0, including caller ID, notifications and the intriguing Glyph Timer function, which turns the phone into a very high-tech egg timer. There’s also an experimental feature that uses the case lighting to countdown the arrival of an Uber or food delivery, as well as a Glyph Composer app for creating custom ringtones and notifications. Essentially a stripped-down beat sequencer, it reveals the creative synergy between Nothing and another glitch-tech pioneer, Teenage Engineering.
There are other advantages and features in Nothing OS 2.0, a jazzed up and re-skinned version of Android that ensures the Nothing ethos and aesthetic are mirrored across phone and software. The main screen is now monochrome and muted, removing the ‘crutch of colour cues’, in Nothing’s words, in order to focus the mind and detract from the chocolate box array of tempting app icons that so often lures us into wasted time.
To this end, the new OS also features a number of custom widgets, effectively compartmentalising your most used apps into tiles you can check at a glance, without having to open them. These can also be put on the lock screen, further minimalising the need to fire up the phone.
We were also impressed by the Phone (2)’s camera system, which has not only been upgraded with new filters, a document mode, and the ability to record 4K video at 60fps, but delivers impressive levels of detail and colour via the Advanced HDR function. This digital blend of eight varying degrees of exposure (up from three in the Phone (1)) creates vivid, crisp photographs, albeit with that sheen of processed perfection we’ve come to expect from our smart devices. The front camera sensor is also doubled in capacity. The screen size has also crept up (6.7in vs 6.55in) – this is not a small phone, by any stretch.
Should you upgrade? Phone (1) fans will find more of what they love in the (2), but their enthusiasm might be tempered by the thought of replacing a perfectly good device with something so shiny and new; sustainability and transparency are central to the Nothing ethos. Amongst other initiatives, the company publishes the carbon footprint of its devices, giving the Phone (1) a figure of 53.45kg. This 8.6 per cent less than the first phone, and around 10kg lower than the figure Apple issued for its iPhone 13 back in September 2021.
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
The Nothing eco-system: Ear (2) earbuds, Phone (2) and Ear (stick) earbuds
These calculations are notoriously subjective. Of more importance are the levels of recycled materials used in the device itself (the frame is 100 per cent recycled aluminium, for example), and what happens at the end of a product’s lifecycle. If you’re attracted by Nothing’s ongoing journey to minimalist tech, the Phone (2) is a perfect place to get on board. True believers might want to hold on to their original device for a while longer, particularly as the Nothing OS 2.0 update will apply to all the company’s phones.
Nothing Phone (2), available in both white and dark grey, 8GB/128GB (£579 GBP, €679 EUR), 12GB/256GB (£629 GBP, €729 EUR), and 12GB/512GB (£699 GBP, €849 EUR)
Available to buy at Nothing.tech
Since this article was published we have also revealed an exclusive Nothing Phone (2a) preview
Jonathan Bell has written for Wallpaper* magazine since 1999, covering everything from architecture and transport design to books, tech and graphic design. He is now the magazine’s Transport and Technology Editor. Jonathan has written and edited 15 books, including Concept Car Design, 21st Century House, and The New Modern House. He is also the host of Wallpaper’s first podcast.
-
Jack White's Third Man Records opens a Paris pop-up
Jack White's immaculately-branded record store will set up shop in the 9th arrondissement this weekend
By Charlotte Gunn Published
-
Designer Marta de la Rica’s elegant Madrid studio is full of perfectly-pitched contradictions
The studio, or ‘the laboratory’ as de la Rica and her team call it, plays with colour, texture and scale in eminently rewarding ways
By Anna Solomon Published
-
‘Nothing just because it’s beautiful’: Performance artist Marina Abramović on turning her hand to furniture design
Marina Abramović has no qualms about describing her segue into design as a ‘domestication’. But, argues the ‘grandmother of performance art’ as she unveils a collection of chairs, something doesn’t have to be provocative to be meaningful
By Anna Solomon Published
-
Layer conceptualises a next-gen AI-powered device: introducing the PiA
PiA, the Personal Intelligent Assistant, is a conceptual vision of how AI might evolve to dovetail with familiar devices and form factors
By Jonathan Bell Published
-
Point, shoot and process with Lomography’s two new colourful Instax camera editions
With the Pemberley and The Blues editions, the Lomo’Instant Square Glass camera provides stylish and pocketable analogue photography
By Jonathan Bell Published
-
We put the new ultra-compact Dyson Car+Boat handheld vacuum through its paces
A cordless handheld vacuum pitched at a plethora of tasks, Dyson has tasked the new Car+Boat with far-reaching functionality without compromising performance
By Jonathan Bell Published
-
The Century Series, Philips goes retro to celebrate over 100 years of audio innovation
Dutch audio brand Philips has drawn on its extensive archive to shape the form of the five Century devices, all of which offer stylish ways to enjoy vinyl, radio and more
By Jonathan Bell Published
-
E-ink comes of age: the best new tablets for distraction-free reading and writing
We explore the world of E-ink tablets to find the best device for handwriting input, editing, sketching and light computing duties
By Jonathan Bell Published
-
Loop’s quiet revolution: design-conscious earplugs that really work
The makers of Loop earplugs offer ever-more colourful and functional options to allow anyone to turn life down a little
By Bridget Downing Published
-
Leica’s SL3-S is its newest camera, an upgrade of its pro-grade full-frame system
Photographers and videographers are catered for by the Leica SL3-S’ performance upgrades and expanded compatibility
By Jonathan Bell Published
-
Shine on: Yaber brightens home entertainment with two new compact projectors
Yaber showcased new projectors at CES 2025 – its first ultra-short-throw device, as well as an ongoing collaboration with the estate of Keith Haring
By Jonathan Bell Published