Is Biocement the future of building materials?

Biocement, courtesy of Sharjah sand and material innovator BioMason, is a building block for designer Asif Khan’s locally inspired display case

Khan’s sketch references the use of Sharjah sand, which BioMason will combine with microorganisms to produce environmentally responsible tiles. In turn, these will be used to build a screen-like shelving unit for Wallpaper* Re-Made
Khan’s sketch references the use of Sharjah sand, which BioMason will combine with microorganisms to produce environmentally responsible tiles. In turn, these will be used to build a screen-like shelving unit for Wallpaper* Re-Made
(Image credit: Asif Khan)

Can a fairly new material be used in the same way as the conventional ones we have been building with for centuries? Would it be a viable option to replace, say, concrete, with an environmentally responsible alternative and still get the same results in terms of architectural performance? And how can a structure be intrinsically linked to its locale? It is questions like these that London-based designer Asif Khan set off to explore with his Wallpaper* Re-Made project, ‘Coral Reef ’, created in partnership with American cement industry innovator BioMason.

The North Carolina-based company, co-founded by CEO Ginger Krieg Dosier and her partner Michael Dosier, is revolutionary in its eld. It ‘grows’ sustainable cement by employing microorganisms, just as coral reefs are formed in marine environments. ‘A regate is mixed with our microorganisms, pressed into shape and fed an aqueous solution until hardened to specification,’ explains Krieg Dosier. ‘BioMason’s process enables materials to be formed in ambient temperatures by replacing the curing process with the formation of biologically controlled structural cement.’ The company is also researching marine biocement with the ability to self-repair.

A render of Asif Khan’s Museum of Manuscipts, currently under construction in Sharjah. It features a latticed stone façade – inspired by local Arish (palm-leaf) architecture and coral stone walls – which provided the starting point for his Re-Made collaboration with BioMason

A render of Asif Khan’s Museum of Manuscipts, currently under construction in Sharjah. It features a latticed stone façade – inspired by local Arish (palm-leaf) architecture and coral stone walls – which provided the starting point for his Re-Made collaboration with BioMason

(Image credit: asif-khan.com)

The idea for ‘Coral Reef ’ was born of one of Khan’s ongoing projects in the UAE – the new Museum of Manuscripts in Sharjah. The structure is currently under construction (with a view to completion in 2021), and its surface is made out of many small stone elements, referencing traditional local coral-stone buildings and the geometry of Arish, the region’s palm-leaf architecture. ‘When we started working with BioMason, I wondered if we could recreate an element of our building from its biocement, and I wanted that product to use Sharjah’s sand as its a regate material – a resource that is plentiful,’ says Khan. ‘It’s an experiment, but the idea of making a structure from what we found on site is very simple and poetic. We decided to create a prototype section of external wall as our Re-Made project to test this possibility.’

Khan’s vision for the shelving unit, taking its cues from the museum’s façade. It incorporates open areas for plants and objects, and built-in seating

Khan’s vision for the shelving unit, taking its cues from the museum’s façade. It incorporates open areas for plants and objects, and built-in seating

(Image credit: asif-khan.com)

Creating the structure with Sharjah sand is not as straightforward as it may seem, even with BioMason’s strong, existing ties with this part of the world. ‘We first used the sands and indigenous a regates in Sharjah in 2009 when we created the technology,’ says Krieg Dosier. ‘We will seek to bring this technology full circle by using Sharjah a regates to produce our BioLith tile product [the company’s main product for commercial and residential applications] as a building façade material.’ The collaborators agree that a lot of research and strength testing will be needed to ensure the end product’s workability.

BioMason’s process enables materials to be formed in ambient temperatures by replacing the curing process with the formation of biologically controlled structural cement.

For Re-Made, the team is hoping to reimagine an element from the museum’s structure as a shelving unit built from ingots of biocement. It’s a response that felt appropriate, says Khan. ‘Fish use coral reefs as places to graze and explore; I think a shelving system can have a similar feeling for people.’ The piece may even become part of the museum, when it opens. But the point of this project goes beyond its practical applications. There’s a deep, conceptual and symbolic value to the experiment.

‘BioMason was founded by two architects who worked in the UAE from 2007 to 2014,’ explains Krieg Dosier. ‘The Re-Made project continues that narrative, expressing regionalism and reverence to other building materials used in the UAE. This project, design and collaboration are a proud and compassionate statement to working with materials found on site and our responsibility to place and environment.’ Khan also feels ‘Coral Reef ’ is an exciting challenge: ‘I like that this project gave me the opportunity of remaking something that was precious to us [the museum’s original design]. Perhaps we should all challenge our design assumptions more often.’

A model for the museum’s lattice structure

A model for the museum’s lattice structure

(Image credit: asif-khan.com)

INFORMATION

asif-khan.com
biomason.com

Ellie Stathaki is the Architecture & Environment Director at Wallpaper*. She trained as an architect at the Aristotle University of Thessaloniki in Greece and studied architectural history at the Bartlett in London. Now an established journalist, she has been a member of the Wallpaper* team since 2006, visiting buildings across the globe and interviewing leading architects such as Tadao Ando and Rem Koolhaas. Ellie has also taken part in judging panels, moderated events, curated shows and contributed in books, such as The Contemporary House (Thames & Hudson, 2018), Glenn Sestig Architecture Diary (2020) and House London (2022).

Read more
Hanif Kara Heydar Aliyev centre (Zaha Hadid Architect) ┬® Hufton + Crew
Hanif Kara on building materials, the transition from old to new, and a healthy dose of realism
ecoLogicStudio_Studio and their biodesign approach in London
Is biodesign the future of architecture? EcoLogicStudio thinks so
The ‘Mycelium Muse’ collection features the work of seven female artists and designers who have used mycelium derivative Reishi to craft artworks and furnishings such as a desk, stool and lamp
We feel a growing passion for MycoWorks, the company inspiring beauty with fungal-based biomaterial
handmade laterite bricks building in Nigeria at artist residency building
Sustainable architecture: 46 innovative and inspiring building designs
large building in greenland, showing composition of angular structures in snow
Greenland through the eyes of Arctic architects Biosis: 'a breathtaking and challenging environment'
Mitti Eco Constructions architectural work
Indian studio Mitti is all about 'progressive architecture, sustainably delivered'
Latest in Architecture
Severance scene
The Eagan house from 'Severance' is available to rent
frank lloyd wright walser house chicago
Why this rare Frank Lloyd Wright house is considered one of Chicago’s ‘most endangered’ buildings
 Costa Navarino K-Studio
A Costa Navarino house peeks out from amidst olive groves to ocean views
Valeriane Lazard parisian apartment
Stay in a Parisian apartment which artfully balances minimalism and warmth
the brutalist rains headquarters in denmark
Step inside Rains’ headquarters, a streamlined hub for Danish creativity
Conrad Buff II Residence, Pasadena house
Buy a slice of California’s midcentury modern history with this 1955 Pasadena house
Latest in Feature
Perfume Genius Glory album artwork
Inside the visual universe of Perfume Genius
art works
Don’t miss these five artists at Art Basel Hong Kong
best hotels hong kong
The best hotels in Hong Kong
jewellery
Bold colours and tactile textures: inside Bottega Veneta's second fine jewellery drop
waiheke island new zealand guide
Waiheke Island is a must-visit for oenophiles and aesthetes alike
skull picture
The memento mori art inspiring Japanese Breakfast's new album