Nothing Ear (1) earbuds: simple, transparent, different
Nothing Ear (1) earbuds bring transparency and simplicity to a crowded market – here’s what sets them apart
There’s much ado about Nothing, the newest low-key high-tech brand in a crowded market. Nothing is debuting with the Ear (1) earbuds, a product that’s ten a penny these days. Will the brand’s fresh approach be enough for us to sit up and take notice? When we spoke to Nothing’s Thomas Howard, Jesper Kouthoofd and Carl Pei, about their ambitions for the new brand, they flagged up the Concept 1 earbuds as proof of a different direction.
Now that concept has become a reality, and Nothing Ear (1) earbuds are available to buy.
Nothing Ear (1): clearly different
So what makes the Ear (1) different? There’s a ferocious amount of engineering that goes into an object as small as a pair of Bluetooth earbuds, most of which we take entirely for granted. Nothing’s point of difference is transparency and simplicity. This approach is obvious from the moment you tear open the pared-back packaging, slide open the silver box and remove the clear plastic charge case.
Although relatively conventional in appearance – there’s not a lot of wiggle room in this particular form factor – the Ear (1)’s industrial design lays bare the constituent parts of this ubiquitous object. You can see the PCB, the magnets, the microphones, all revealed beneath the transparent shell. There’s a jewel-like delicacy to these hitherto invisible components, and the Nothing team hunted high and low to find the best examples of each element to ensure it looked just right, whether it was magnets or even adhesive.
Comfort is a key part of the earbud experience, and at 4.7g each, the Ear (1) is lighter than its Apple equivalents. The liquid silicon tip is designed to be softer in the ear, while the stems have a flat surface to make touch controls easier to deploy. The transparent case ends the hassle of wandering off without the actual earbuds themselves, as well as incorporating a fast-charging unit; ten minutes in the case should get you 90 minutes of listening time.
On their own, the Ear (1) buds will run for four and a half hours with noise cancelling switched on, or roughly six hours without. Oh, and you can sling the little case onto a charging pad to make the whole process completely wireless. Finally, there’s Bluetooth 5.2 to improve the range and battery life and the Ear (1) is also sweat- and water-resistant.
The low-key packaging and branding, from the dot matrix font to the disposable protective wrapping, conceals a very premium set of materials. There’s also nothing basic about the sound quality. The stems of the earbuds contain a big chamber for better bass performance: Teenage Engineering did all the acoustics as well as bring the industrial design know-how. There’s a bespoke app to help you tune Ear (1) to suit your own preferences, although they give pure, precise tones straight out of the box.
The app is also crystal clear in terms of layout and approach, with a ‘find my earbud’ feature as well as options for the three-stage noise cancelling, driven by three microphones and tuned to cut through background noise and foreground speech during calls. The Ear (1) is the first in a promised series of products from Nothing, building up to an eco-system of simple devices that will guide its fans away from tech fatigue towards a better-sounding and more intuitive future.
INFORMATION
Nothing Ear (1), £99
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
As of 18 April 2024, the more recent Nothing Ear and Ear (a) earbuds have been released and are available to buy for £129 and £99 respectively at nothing.tech
Jonathan Bell has written for Wallpaper* magazine since 1999, covering everything from architecture and transport design to books, tech and graphic design. He is now the magazine’s Transport and Technology Editor. Jonathan has written and edited 15 books, including Concept Car Design, 21st Century House, and The New Modern House. He is also the host of Wallpaper’s first podcast.
-
Tranquil and secluded, Lemaire’s new Tokyo flagship exudes a sense of home
In Tokyo’s Ebisu neighbourhood, Lemaire’s tranquil new store sees the French brand take over a former 1960s home. Co-artistic directors Christophe Lemaire and Sarah-Linh Tran tell Wallpaper* more
By Joanna Kawecki Published
-
‘I wanted to create a sanctuary’ – discover a nature-conscious take on Balinese architecture
Umah Tsuki by Colvin Haven is an idyllic Balinese family home rooted in the island's crafts culture
By Natasha Levy Published
-
‘Concrete Dreams’: rethinking Newcastle’s brutalist past
A new project and exhibition at the Farrell Centre in Newcastle revisits the radical urban ideas that changed Tyneside in the 1960s and 1970s
By Smilian Cibic Published
-
Alpange’s high-tech piano makes its New York debut. Does it hit the high notes?
We lift the lid on Alpange’s high-tech digital piano, a blend of traditional craft and contemporary modelling technology
By Jonathan Bell Published
-
First look: Leica Cine Play 1 brings premium style and tech to the world of home cinema
Leica compresses its meticulous optic know-how into the ultra-compact Cine Play 1 4K projector
By Jonathan Bell Published
-
The Nothing Phone (2a) Plus Community Edition taps into the brand's creative followers
The unconventional features of Nothing Phone (2a)’s new limited edition come from a community-driven project to reshape the style and ethos of the smartphone
By Jonathan Bell Published
-
Epson’s Mini Laser Projectors with Google TV make light work of home cinema
The Epson EF-22 is an ultra-compact, highly versatile laser projector that can fill a room with sound and images
By Jonathan Bell Published
-
Aarke has created the ultimate collection for caffeine lovers, the Aarke Coffee System
The new Aarke Coffee System consists of three elegant components, part of the Swedish company’s ongoing quest to reshape the world of appliances
By Jonathan Bell Published
-
Huawei’s new MatePad Pro 12.2-inch tablet is a game-changer for digital artistry
With pro-level creative features, from delicate brushwork to myriad surface choices, the Huawei MatePad Pro 12.2-inch makes extraordinary art a possibility and a pleasure
By Simon Mills Published
-
All-new Nothing Ear (open) offers up a different kind of listening experience
If you find traditional earbuds cancel out too much of the outside world, Nothing has got you covered. We get down with the company’s new Ear (open) to experience this transparent new soundscape
By Jonathan Bell Published
-
Lasting impressions: the latest Beoplay H100 headphones from B&O are for keeps
Bang & Olufsen’s head of design, Tiina Karjalainen Kierysch, talks us through the new Bang & Olufsen Beoplay H100, headphones designed to last a lifetime
By Jonathan Bell Published