DS 9 takes unexpected turns on the company’s route to electric cars
With its refined ride, interiors defined by luxury francophilia, and a defiantly different dashboard, there’s enough here to intrigue when the first pure electric DS model eventually appears
It feels like we’ve written ad infinitum about the DS brand’s close parity with innovation and contemporary design. Spun off from Citroën to fly the flag, or porter le drapeau, for French luxury design, DS models to date have all danced around the themes and theory of high-end creativity without ever quite connecting.
For a country with countless couturiers, designers, architects, and jewellers to its name, France has never really had a modern-day equivalent to Rolls-Royce, Cadillac, or even Mercedes-Benz. Yes, there’s Bugatti, founded by an Italian, based in a part of Germany that became French in 1919, and then German-owned ever since its revival in 1998.
The closest the country’s motor industry came were the Grandes Routières – grand tourers – of the inter-war years, back when Bugatti was competing with companies like Delage, Delahaye, and Talbot-Lago to build lavish luxury coupés. A combination of punitive post-war taxation and a more vigorous association between industry and social progress effectively ended the idea of building such plutocratic machines. There was a brief revival in the eccentric form of Facel Vega in the 1950s and 1960s, but since then the French auto industry has focused on mass-market motoring and innovation engineering, not luxury travel for a tiny minority.
The DS 9 is the company’s new flagship model. Against all economic wisdom, it is a saloon car, not an SUV. Here is where the debate over design begins, for the DS 9 is not an especially beautiful car. For sure, it has fine proportions, but beauty – and luxury – is in the details.
Its sister car, the Peugeot 508, shares a lot of the DS9’s underpinnings, yet somehow manages to be more svelte and elegant. Later this year, the same platform will appear beneath the new Citroën C5X, which heralds a great return to form for that company’s fabled design story.
Set against this pair, the DS 9 is a trailing third. In profile, it’s a handsome piece of sculpture, but the nose doesn’t carry any gravitas. The role of the automotive grille is undergoing a transformation; it’s not the signifier of status it once was.
Unfortunately, the DS range is currently wedded to the idea of a big, bold grille to anchor its Dalí-esque DS logo. Elsewhere, modern luxury is moving on.
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Ironically, a prominent grille was notably absent from all the big Citroëns of the 1950s through to the 1980s. These cars were never heralded things of great beauty. Instead, they were considered in terms of pure design, elegant in a different way but also wilfully idiosyncratic.
While the exterior of the DS 9 can’t live up to these antecedents, the interior is a lot more successful. DS makes a great deal of its luxury Francophilia, with materials like burnished metal, and pearl-stitched leather, along with dark rich colours, and angular forms. The ‘Opera’ interior trim option features Rubis Red Nappa leather, an impressive 14-speaker sound system, and even heated and cooled massage seats front and rear.
The dashboard is genuinely unlike any other car on the market, with triangular buttons, quirky animations, and a desire to set it apart from the efficient-but-predictable approach taken by German rivals.
Even the dash-mounted clock – supplied by French company Bernard Richards Manufacture – is a little bit different, rotating into place when you fire the ignition.
This particular DS 9 model doesn’t feel especially fast, as the 0-62mph of 8.3 seconds attests. It also has a pretty tiny fuel tank for a big luxury cruiser: at just 42 litres, it offers a relatively small range, even factoring in the 27-odd miles you can get from EV-only driving (Mercedes’ E-Class hybrid has a 60-litre tank).
If you want a more spirited performer, the four-wheel drive E-Tense 360 offers a substantial performance hike, but it’s not really necessary. The DS 9’s key dynamic virtue is not how it goes around corners, but the refinement of its ride, which is hushed and utterly unfussed, just as a traditional limousine should be.
By eschewing the tyranny of ‘sporting’ driving, DS could well be on to something. If we’re truly approaching a point in time when the traditional ‘virtues’ of the internal combustion engine no longer matter, then DS can make more of its strengths. There are encouraging signs. The even newer DS 4 is one of the best-looking cars in its class, carrying the spirit of more adventurous concept cars, like the DS Aero Sport Lounge and the DS E-Tense.
So when the first pure electric DS model eventually appears, we’ll be watching with extreme interest.
INFORMATION
DS 9 E-Tense 225, price as tested £53,015
Jonathan Bell has written for Wallpaper* magazine since 1999, covering everything from architecture and transport design to books, tech and graphic design. He is now the magazine’s Transport and Technology Editor. Jonathan has written and edited 15 books, including Concept Car Design, 21st Century House, and The New Modern House. He is also the host of Wallpaper’s first podcast.
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