Flavio Manzoni gives Wallpaper* an exclusive insight into the new Ferrari Purosangue
The Ferrari Purosangue marks a radical departure for the Italian sports car brand, bringing four doors and everyday practicality to the fabled badge for the first time. Ferrari's chief design officer Flavio Manzoni describes the design approach
The new Ferrari Purosangue has shaken up the sports car market. A controversial late entry into the luxury SUV/crossover segment, the car marks a departure for the brand and a challenge for the man who led the team that designed it, Flavio Manzoni. We spoke to the company's design chief about the process.
Flavio Manzoni on the Ferrari Purosangue
Wallpaper*: How did the design team approach the brief for the Ferrari Purosangue?
Flavio Manzoni: When we started the project, we had many discussions of how to do a Ferrari with these characteristics. It was a positive challenge – a way to express our identity in a completely new typology of car. First, we wanted to make a Ferrari, not an SUV. A Ferrari with practicality and space and a panoramic interior. Perhaps some team members were not completely convinced at the start – they thought it might break certain rules about our history. But I didn’t have any fear of making this car.
W*: Are there set rules of Ferrari design?
FM: It is the first Ferrari with four doors, although not four seats. It is not low and sleek, so there are design challenges with the proportions. Everybody – the driver and passengers – is involved in the driving experience.
W*: When did you start working on the Purosangue?
FM: It was a long process – five years of development. The start was dedicated to looking at all the variables; the complexity of such a car is much higher than many previous Ferraris.
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
W* How did function shape the car or vice versa?
FM: Function determined the form, starting with the engine size and position. You’ll see that the bonnet is not as long as on the GTC4Lusso, for example. Visual balance was extremely important – we had to balance all the elements of the car. The engine is set well back, beneath the base of the windscreen, the wheels are almost sticking out from the body, giving it an athletic and agile stance.
W*: What other considerations shaped the car?
FM: The impact of aerodynamics was even higher on the Purosangue than on other Ferraris, simply because it is the tallest car we have ever made. We divided the form into two parts, body and underbody. The body is treated like an aerodynamic sculpture, just like a Ferrari 296 GTB. The underbody is black and incorporates all the key aerodynamic elements, like the air bridges on the bonnet. Only Ferrari can do this – we interpret our DNA in a very artistic way.
W*: Could this platform be used for a hybrid powertrain?
FM: It’s just a matter of embracing a technology that has different perspectives and objectives. For example, with electric cars designers are talking more about drag. With ICE cars, we are more concerned with downforce.
W*: What about the interior design?
FM: Our first interior model didn’t give us as much space as we wanted. Then at one stage, we had a convincing design model that just didn’t meet the aerodynamic requirements. Ultimately, we had to converge form and function. We used software that allowed to do real-time manipulation of the exterior to explore the different interior volumes.
W*: Is the Purosangue a car you can use every day?
FM: Of course. This is the Ferrari that was very much missing from our range. The practicality, the space – it’s very attractive. And it’s also a most beautiful driving experience, with space to share and enjoy it with your friends.
W*: What about the potential for personalisation?
FM: Our Tailor Made division can do anything – it specialises in working with materials that are not traditionally automotive.
W*: Did the Ferrari Purosangue given you new design opportunities?
FM: One of the most exciting aspect [of this car] is the new function. With our Berlinettas we are guided by some existing patterns. Here, it was all new, so you can imagine the permutations. Every single line and surface has been refined and refined.
The Purosangue is not an SUV, as you can see, although it has some off-road ability, hill descent control and predictive four-wheel drive. Inside, we have used materials like a newly formulated Alcantara, derived from recycled polyester. In fact, 85 per cent of the launch trim for the car was sustainably produced. We also have this high-strength technical fabric used in military uniforms as an alternative to leather.
W*: How do you think it compares to the competition?
FM: The Purosangue is smaller than other cars in this theoretical segment. It’s not the typically boxy car you think of when you think of an SUV. It’s agile and athletic. There is a wow effect – when you open all the doors you are surprised by the roominess of the cars. That was one of the main objectives that my team and I had to meet.
W*: Will this car change Ferrari?
FM: No, because it will only account for 20 per cent of our production volume. Right now, it is aimed at current Ferrari owners. We’ll always produce one car less than demand. The Purosangue is the centre of gravity of the Ferrari range, the product that encapsulates the DNA of the brand.
Jonathan Bell has written for Wallpaper* magazine since 1999, covering everything from architecture and transport design to books, tech and graphic design. He is now the magazine’s Transport and Technology Editor. Jonathan has written and edited 15 books, including Concept Car Design, 21st Century House, and The New Modern House. He is also the host of Wallpaper’s first podcast.
-
Audi launches AUDI, a China-only sub-brand, with a handsome new EV concept
The AUDI E previews a new range of China-specific electric vehicles from the German carmaker’s new local sub-brand
By Jonathan Bell Published
-
Inside Izza Marrakech: A new riad where art and bohemian luxury meet
Honouring the late Bill Willis’ hedonistic style, Izza Marrakech fuses traditional Moroccan craftsmanship with the best of contemporary art
By Ty Gaskins Published
-
Clocking on: the bedside analogue timepieces that won’t alarm your aesthetic
We track down the only tick-tocks that matter, nine traditional alarm clocks that tell the time with minimum fuss and maximum visual impact
By Jonathan Bell Published
-
The Ferrari 12Cilindri is the ultimate expression of the marque’s greatest engine
We sample Ferrari's latest, the mighty front-engined grand tourer that bears a simple descriptive name, 12Cilindri
By Rory FH Smith Published
-
The Ferrari F80 continues the company's tradition of using supercars to showcase tech
Just 799 examples of Ferrari’s ferociously complex and high-tech styled F80 will be made, helping give shape to the sports cars of tomorrow
By Jonathan Bell Published
-
A 90s icon of Italian sports car design is reborn as the Veloce12 by Touring Superleggera
Carrozzeria Touring Superleggera have transformed the Ferrari 550 Maranello into an all-analogue, carbon-bodied GT for the modern era
By Jonathan Bell Published
-
Meet two new Maserati MC20 supercars, the Leggenda and the Icona
These Maserati MC20 special editions honour the company’s racing heritage and the 20th anniversary of the Maserati MC12 hypercar
By Jonathan Bell Published
-
New Ferrari 12Cilindri is a purist, V12-powered two-seater Berlinetta
The new Ferrari 12Cilindri, available as both a coupé and a Spider, pares back the brand’s classic design tropes to bare essentials to create a timeless luxury GT
By Jonathan Bell Published
-
In memoriam: automotive designer Marcello Gandini (1938-2024)
As the man behind the form of the modern supercar, Marcello Gandini was hugely influential. We look back at some of his most accomplished designs
By Jonathan Bell Published
-
Maserati Grecale Modena hits the middle ground, an SUV for the badge-conscious
The Maserati Grecale Modena shows just how far a brand has to go to make an impact in the contemporary car market. How does it reflect on the Italian company’s long heritage?
By Jonathan Bell Published
-
Restomod Italian cars: Lancia, Alfa Romeo, Fiat and more classics reborn for modern roads
In the world of restomod Italian cars, everything from 1960s race cars to cult city vehicles can be restored, reshaped and updated for modern driving and fastidious collectors
By Jonathan Bell Published