It’s been a busy six months for The Berkeley as a crack team of designers led by Robert Angell and London-based architects Rogers Stirk Harbour + Partners worked on three major projects within the hotel – the first, an expanded entrance, and two extensions.
The new entrance, especially, has been long overdue – the former low-key approach is now considerably enhanced by impressive volumes and proportions.
The architects have unapologetically described their design as a first in hotel architecture. Specifically, Ivan Harbour, a partner at Rogers Stirk Harbour, says his firm was careful to avoid ‘the lightweight, ‘high tech’ add-on entrance canopy cliché that has pervaded our cities since Llloyd’s of London. At The Berkeley, we conceived the entrance as a complete new building – a contemporary lean-to.’
The reference to a lean-to is a sly understatement, for the new entrance is a dramatic statement piece, particularly in the evening when the whole structure practically flares in the dark.
A glass canopy is stretched out over 16 nine-metre-long carbon fibre beams that provide a pleasing geometrical pattern that provides structural strength without sacrificing the sense of feathery lightness. The entire structure rests on an austere forest of timber masts and stainless steel columns driven into the stone base. Flanking each end is a full-length glass pavilion, both forming the new extensions to The Berkeley’s beloved The Blue Bar and the newly christened Collins Room (formerly the Caramel Room).
Honeycomb details on the canopy glass and pavilions create a subtle effect of dappled light on the new lobby by Robert Angell who has installed veneered eucalyptus wood panels, marble floors, alabaster wall lights and nickel inlay details.
The project, as ambitious as it is, is only the first salvo in The Berkeley’s tip-to-toe spruce up. Up next is a series of new suites by designed by John Heah and Helen Green Studio, alongside new outdoor terraces by Rogers Stirk Harbour
The former low-key approach is now considerably enhanced by impressive volumes and proportions
ADDRESS
Wilton Place
-
At The Lavery, Anglo-Italian cooking caters to London’s design obsessiveThe former residence of Irish painter Sir John Lavery now houses an elegant restaurant where Georgian classicism meets 20th-century design favourites
-
A buzzy Korean pop-up becomes a permanent fixture in East LondonChef Joo Won has turned his Calong pop-up permanent in the arty enclave of Stoke Newington
-
New London restaurant Alba is a sun-soaked affairIts name meaning ‘sunrise’ in Italian, Alba is a new Amalfi-inspired restaurant set to shine in Knightsbridge
-
Now boarding Air Anya: Anya Hindmarch’s ode to aviation’s golden ageAnya Hindmarch’s new London concept store and travel accessories collection celebrate the glamour of 1970s air travel
-
‘A place for carnivores’ – Ibai is a London restaurant that celebrates Basque Country beefA Clerkenwell restaurant where unhurried steak is the star of the show
-
La Môme London finds its home at The Berkeley hotelAll the razzle-dazzle of Cannes and Monte Carlo is wrapped up in this one fabulous dining room and terrace in London
-
The new dawn of the London sandwich shopThe appeal of a quick meal between two slices of bread has long held sway in the UK. We look back on the rise of the sandwich shop and explore the new wave of London venues that are making it a more stylised experience
-
Must-visit cinemas with award-worthy designThere’s more magic to the movies at these design-led cinemas, from Busan Cinema Centre’s ‘flying’ roof to The Gem Cinema Jaipur’s art deco allure
