Ship shape: luxury cruise line Seabourn launches the Encore
For the most part, we at Wallpaper* have tended to be a little leery of cruise-liners, preferring to practise our sea-legs on smaller, more intimate luxury yachts. However, the recent launch of the Seabourn Encore in Singapore has us taking a considerably more expansive view of our maritime travels.
Constructed in the Fincantieri shipyards in Marghera near Venice, the Encore is the latest salvo by the Seattle-based Seabourn to capture the upper end of the cruise market. It certainly helps the cause that the 300 all-suite ship was designed by Adam Tihany who, even before the paint on the bow is dry, is already at work on the Seabourn Ovation which is due to launch next year.
Despite the impressive statistics – 13 levels and a full sailing capacity of 600 passengers – there is little sense of the madding crowd. A judicious spread of venues and activities disperses passengers across two swimming pools, library, six whirlpools, small casino, seven lounges and bars, a swanky spa headlined by Dr Andrew Weil and at least six dining options, one of which is The Grill by Thomas Keller.
It helps, too, that Tihany has unleashed all the tricks in the bag, all while acknowledging the complexities of the project. ‘This is a giant moving piece of steel,’ he says. ‘It’s a complex engineering puzzle.’
Early in the process, the designer found the key: an airy staircase of glass, stainless steel and varnished timber that spirals up the central core of the ship, pulling light in from the top deck atrium and refracting it down to the lower levels. Through the ship, there are no real hard corners, just bends and circular shapes and looping corridors. Even the top deck The Retreat is a set-piece in the round with a sailed canopy that provides shade and shadows. Here, Tihany lines the edges with generously proportioned cabanas and deck chairs, all of which look inward towards an elevated Jacuzzi.
Measuring 690 feet by 92 feet, the relatively small size of the Seabourn Encore means it can swan into smaller harbours, a particular attraction if the goal is to steer clear of destinations bristling with giant cruise-liners. That’s the kind of cruise control we like.
INFORMATION
Rates on request. For more information, visit the Seabourn website
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Daven Wu is the Singapore Editor at Wallpaper*. A former corporate lawyer, he has been covering Singapore and the neighbouring South-East Asian region since 1999, writing extensively about architecture, design, and travel for both the magazine and website. He is also the City Editor for the Phaidon Wallpaper* City Guide to Singapore.
-
Olfactory Art Keller: the New York gallery exhibiting the smell of vintage perfume, blossoming lilacs and last night’s shame
Olfactory Art Keller is a Manhattan-based gallery space dedicated to exhibiting scent as art. Founder Dr Andreas Keller speaks with Lara Johnson-Wheeler about the project, which doesn’t shy away from the ‘unpleasant’
By Lara Johnson-Wheeler Published
-
Explore a barn conversion with a difference on the Isle of Wight
Gianni Botsford Architects' barn conversion transforms two old farm buildings into an atmospheric residence and artistic retreat, The Old Byre
By Jonathan Bell Published
-
Audi launches AUDI, a China-only sub-brand, with a handsome new EV concept
The AUDI E previews a new range of China-specific electric vehicles from the German carmaker’s new local sub-brand
By Jonathan Bell Published
-
Inside Cunard’s Queen Anne Britannia Restaurant, designed by David Collins Studio
Cunard’s Queen Anne, the new luxury cruise ship, introduces its state-of-the-art Britannia Restaurant designed by David Collins Studio
By Sofia de la Cruz Published
-
Explora Journeys aims to redefine ocean voyaging
Explora Journeys is the haute couture of cruising, aiming to instil serenity and relaxation in guests, on luxuriously appointed vessels
By Melina Keays Published